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Painting and Advertising The Force of Implication and Suggestion
Visual Lying On the Notion of Falsehood in Art and in Photography
How to Analyze Truth and Falsity in Visual Images Some Concluding Suggestions
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academic art actually advertising aesthetic affirmation appear argument art historians Arthur Danto artist basic become beliefs Cambridge Catherine Deneuve century chap chapter character claim considered true contemporary context Courbet Critical David depicted discussion distinct E. H. Gombrich earlier Edouard Manet elements entail example fabrication fact fiction film framework Gombrich Goya Gustave Courbet illustration implications interpretation John Berger Joseph Beuys kind Linda Nochlin literal image literary Loie Loie Fuller London Manet Marcel Duchamp Mark Roskill metaphor modern nature Netherlandish Proverbs nonliteral notion nude Olympia painting Paris particular person philosophical photographic image play with truth portrait pose possible presentation question reference relation relativist representation represents Robert Smithson sense shows social suggest symbolism taken theory things tion traditional trans true or false truth and falsehood verbal viewer viewpoint visual truth Walker Evans words York Yves Klein