Unbuilding Jerusalem: Apocalypse and Romantic Representation |
Contents
PARTI BUILDING BUILDING JERUSALEM | 27 |
The Canonical Work of Revelation | 50 |
Apocalypse Disarmed | 85 |
Apocalypse and the EighteenthCentury Anglican State | 103 |
Apocalypse and the CitizenReader II | 122 |
CHAPTER THREE | 135 |
Revelation Representation and the Emergence of Democratic Discourse | 165 |
The New Apologists for Democracy | 191 |
Common terms and phrases
aesthetic already alypse apoc apocalyptic literature argued authority becomes biblical Blake Blake's Book of Revelation canon century chapter Christian church claims conflict criticism critique cultural deconstructive democracy democratic Demogorgon Derrida describes difference discourse divine end of history essay Ezekiel feminine feminist formal apocalypse freedom function human Hurd idea ideal ideological imagine interpretation Jerusalem John John's Joseph Mede Laclau language Last Judgment liberal linguistic Lionel literary literature Logos M. H. Abrams Mary Shelley Mask of Anarchy means Mede Mede's metaphor metonymy millenarian Mouffe narrative novel Oxford Paine Paine's patriarchal Percy Percy Bysshe Shelley plague poem poetry political Popular Songs Prometheus Unbound prophecy prophet radical readers reading relation represent representation resistance Revelation's Revolution rhetoric Richard Hurd romantic sacred Scripture sexual Shelley's Sibyl social space sublime suggests symbolic text's textual tion tradition transcendence University Press utopian violence vision voice Whore of Babylon William Blake words writing



