Understanding Animation

Front Cover
Psychology Press, 1998 - Art - 265 pages

First Published in 1998. Understanding Animation is a comprehensive introduction to animated film, from cartoons to computer animation. Paul Wells' insightful account of a critically neglected but increasingly popular medium:
* explains the defining characteristics of animation as a cinematic form
* outlines different models and methods which can be used to interpret and evaluate animated films
* traces the development of animated film around the world, from Betty Boop to Wallace and Gromit.
Part history, part theory, and part celebration, Understanding Animation includes:
* notes towards a theory of animation
* an explanation of animation's narrative strategies
* an analyis of how comic events are constructed
* a discussion of representation, focusing on gender and race
* primary research on animation and audiences.
Paul Wells' argument is illustrated with case studies, including Daffy Duck in Chuck Jones' Duck Amuck, Jan Svankmajer's Jabberwocky, Tex Avery's Little Rural Riding Hood and King Size Canary ', and Nick Park's Creature Comforts. Understanding Animation demonstrates that the animated film has much to tell us about ourselves, the cultures we live in, and our view of art and society.

 

Contents

Thinking about animated film
10
Notes towards a theory of animation
35
Narrative strategies
68
Associative relations
93
Sound
97
Acting and performance
104
Choreography
111
Penetration
122
The shaggy dog story
156
Discontinued lines
160
Accidents will happen
161
Objects have a life of their own
162
Selfconscious humour
163
Everything can mean its opposite
167
YabbaDabbaDoo
168
Telling it over and over again
169

ways to start laughing
127
Magical surprises
128
The power of personality
129
The visual pun
131
Expectation and exploitation
134
Some old saws
135
Adult Avery
140
Extending the premise of the visual gag
141
The development of alienation devices
142
Literal visual and verbal gags
144
On black humour
145
Recognising torment and taboo
146
Jones Road Runner gags
150
Some theories on character comedy
152
ways to exaggerate understate and alienate
172
Dedicated to those who disapprove but continue to watch
174
Driessens comedy of cruelty
179
Technotitters and postmodern forms
180
Issues in representation
187
The body in question
188
Men and masculinity
190
The concept of everyman
196
The feminine aesthetic
198
My mother used to call me Thumper
222
Notes
244
Bibliography
250
187
258
Copyright

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About the author (1998)

Paul Wells is Subject Leader in Media Studies at De Montfort University in Leicester.