301. The Clouds . . . . . . . . . . . . . SHELLEY . . . 236 302. Of the Goodness of the Deity . . . . . . PALEY . . . . . 239 303. The Duel . . . . . . . . . . . . . . C. DICKENS . . . 304. Domestic Jars . . . . . . . . . . 309. The Faithful Minister . · · · · · 310. The Doctor's Family Feeling 313. Art and Nature . . . . . . 316. False and True Knowledge .... 317. The Landlord and the Agent ..... 318. Dream of Eugene Aram . . . . . . 319. The Poet's Year . . . . . . . . . 320. Decision of Character . . . . 321. Resolution and Independence . . . . 323. The Influence of the Parental Character .. Rev. R. CECIL . 325. The Modern Dramatic Poets, Part I. .... VARIOUS . . . . 326. The Canadian Indians · · · · 327. Songs . . . . . . . . . . . . 328. Character of Colonel Hutchinson . 329. The Rising of the Waters ...... 330. Hymn on the fativity . . . . . . 331. The Death of Lord Hastings . . . . . . . . R. HALL... 332. Christmas in the North of Germany. 333. The Old and Young Courtier . . . 334. Of his own Studies . . . . . . . 335. Enigmas . . . . . . . . . . . . . 336. The Defence of Poesy · · · · · · · · · · 337. Of Fraud ... · · · · · · · 338. The Modern Dramatic Poets, Part II. . . 340. The Haunch of Venison . . . . . . 341. The Candid Man . . . . . . . . . . . 342. The Plague of Florence ... 343. Priam and Achilles . .... .. .. & Hunt's Tr.) Š 344. Che TWays of God .......... John Scott ... 476 345. The Death of Socrates . . . . . . . . . . 346. The Best English People ... 348. Of the Public Good . . . . . . . . . . . A. SIDNEY. . . . 492 350. A Gossip at Reculvers ...... 351. The New Dress .. .. · · · · · 352. The Good Parson ...... .. ... 353. Dr. Johnson's Dinner Talk ... 354. Character of Keats . . . . . 356. The Difference of Wits ..., 357. Winter Walk at Noon, · · · · · · 358. The Immortality of the Soul . . . . 360. Character of Charles II. . . . . . 361. Another Year . . . . . . . . . . . . . VARIOUS . . . . 362. The Voluble Lady . . . . . . . . . . JANE AUSTEN, . . 559 363. Modern Dramatic Poets . . . . . . . . . . VARIOUS... 562 HALF-HOURS WITH THE BEST AUTHORS. 263.-LET WINTER COME. WINTER, like every other season, has its appropriate sentiments, but suited to the mood of the poet's mind. It suggests pictures of home comfort: Let Winter come ! let polar spirits sweep CAMPBELL. Even its gloom has its inspiration of solemn musings, such as Burns has beautifully described :- As I am what the men of the world, if they knew such a man, would call a whimsical mortal, I have various sources of pleasure and enjoyment, which are, in a manner, peculiar to myself, or some here and there such other out-of-the-way person. Such is the peculiar pleasure I take in the season of winter, more than the rest of the year. This, I believe, may be partly owing to my misfors tunes giving my mind a melancholy cast : but there is something even in the Mighty tempest, and the hoary waste, Abrupt, and deep stretch'd o'er the buried earth, VOL. IV. which raises the mind to a serious solemnity, favourable to every thing great and noble. There is scarcely any earthly object gives me more -I do not know if I should call it pleasure—but something which exalts me, something which enraptures me—than to walk in the sheltered side of a wood, or high plantation, in a cloudy winter day, and hear the stormy wind howling among the trees, and raving over the plain. It is my best season for devotion: my mind is wrapt up in a kind of enthusiasm to Him who, in the pompous language of the Hebrew bard, walks on the wings of the wind.' In one of these seasons, just after a train of misfortunes, I composed the following : The wintry west extends his blast, And hail and rain does blaw : The blinding sleet and snaw : And roars frae bank to brae; And pass the heartless day. The joyless winter day, Than all the pride of May: My griefs it seems to join; Their fate resembles mine! These woes of mine fulfil; Because they are Thy will ! This one request of mine!) Assist me to resign." Winter calls up the personifications of the painter-poets : Lastly, came Winter clothed all in frieze, |