JahrbuchQuelle & Meyer, 1972 |
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Page 136
SPEAKING SHAKESPEARE'S LINES IN THE ENGLISH THEATRE TODAY BY JOHN RUSSELL BROWN In the autumn of 1970 a group of actors from the Royal Shakespeare Company gave a series of public ' work sessions ' at the Round House , London , in which ...
SPEAKING SHAKESPEARE'S LINES IN THE ENGLISH THEATRE TODAY BY JOHN RUSSELL BROWN In the autumn of 1970 a group of actors from the Royal Shakespeare Company gave a series of public ' work sessions ' at the Round House , London , in which ...
Page 143
... Shakespeare's text to which they can respond without fully understanding what is happening . Individual words and phrases can so easily fill the mind and suggest so many tasks , that actors seem to have forgotten that other qualities ...
... Shakespeare's text to which they can respond without fully understanding what is happening . Individual words and phrases can so easily fill the mind and suggest so many tasks , that actors seem to have forgotten that other qualities ...
Page 181
... Shakespeare's language ex- tends beyond vocabulary choice to other qualities of the verse . It is apparent in little in certain echoes of original textual qualitites : Latin tags and quotes such as " Ave Caesar " and " In terram Salicam ...
... Shakespeare's language ex- tends beyond vocabulary choice to other qualities of the verse . It is apparent in little in certain echoes of original textual qualitites : Latin tags and quotes such as " Ave Caesar " and " In terram Salicam ...
Contents
Ansprachen bei den Festversammlungen der Gesellschaft 1971 | 7 |
Die Erdbeeren im Garten des Bischofs von Ely Von Helmut Viebrock | 14 |
Besser als Shakespeare? Bericht über ein Experiment bei den diesjähri | 34 |
Copyright | |
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actors adaptation Ariel Aufführung Barton and Hall Barton's Bearbeitung Berliner Ensembles Bild Bischof von Ely Bochum Brecht Bühne Caliban Césaire Coriolan Coriolanus deutsche Shakespeare Deutschen Shakespeare-Gesellschaft Dorothea Tieck Dramatiker Dramen Dürrenmatt elisabethanische englischen Erdbeeren ersten Fassung Figuren film focus Form Frage Geschichte Gestalt given großen Hamlet heißt Hektor Helden Henry Heuer historische Hrsg Inszenierung Jan Kott John Karl King Lear Komödie Krieg Kunst läßt Leinen DM lich lines London love Macbeth make Marcius musical muß négritude neuen Original play plays politischen Prospero Publikum Richard Richard III Romeo and Juliet scene schen schließlich Schluß Sh-Forschung Sh-s Shake Shakespeare-Übersetzung Shakespeare's Shakespeareschen ShJW Siehe Situation speare speech Sprache sprachliche stage Stellen Stück Szene take Text Theater Thomas More Tieck tion Titus Andronicus tragische Tragödie Tribunen Troilus und Cressida Übersetzung unserer Verfasser verse Version Volk Volsker Vortr weiß Wekwerth Welt Werk West Side Story wieder words work York