Theatre/Archaeology is a provocative challenge to disciplinary practice and intellectual boundaries. It brings together radical proposals in both archaeological and performance theory to generate a startlingly original and intriguing methodological framework.
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Aberystwyth action activity aesthetic ancient animal architecture artefact assemblage association authenticity behaviour Bernard Tschumi Blaenafon body Brith Gof Cardiff century Ceredigion concept connect constitute construction contemporary context create creative cultural cyborg death decay discipline discourse documentation dramatic Esgair Fraith event excavation experience ﬁrst fragments Full Metal Jacket Gododdin Greek haptic heritage heterogeneous hoplite human hypotaxis ibid identity images imagination improvised interest interpretation kouroi land landscape landscape archaeology lived London look material means memory Michael Shanks Mike Pearson museum narrative nature Neolithic notions object organised particular past performance and archaeology perfume jar perhaps Photo photographs physical political practice present relationship representation Routledge ruin scene of crime scenography sense Skara Brae social society space spatial spectators story structure techniques temporality theatre archaeology theory things Tilley traces Trefenter University of Wales violence walking Walter Benjamin Welsh Y Gododdin