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SYMPHONY HALL, BOSTON

HUNTINGTON AND MASSACHUSETTS AVENUES

Telephones

Ticket Office

Branch Exchange Administration Offices } Back Bay 1492

Boston Symphony Orchestra

П10 THIRTY-SEVENTH SEASON, 1917-1918

26 JnDr. KARL MUCK, Conductor

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Programme of the

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WITH HISTORICAL AND DESCRIPTIVE
NOTES BY PHILIP HALE blind

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Steinway

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CROM the very beginning of a musical education, nothing is so important as a correct appreciation of tone. Hence the child should receive its early impressions from a Steinway Piano.

The exquisite Steinway tone is recognized as ideal, and it has made this instrument worldfamous. Superior craftsmanship builds the Steinway for lifetime usage, and all the strain of "practice years" does not make its action uneven or lessen its sweetness and resonance of tone. Under these circumstances, no other instrument is "good enough to begin on." Consider, too, that a Steinway costs but little more than an ordinary "good" piano.

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THIRTY-SEVENTH SEASON, NINETEEN HUNDRED SEVENTEEN AND EIGHTEEN

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There will be an intermission of ten minutes after the symphony

The ladies of the audience are earnestly requested not to put on hats before the end of a number.

The doors of the hall will be closed during the performance of each number on the programme. Those who wish to leave before the end of the concert are requested to do so in an interval between the numbers.

(

City of Boston, Revised Regulation of August 5, 1898,-Chapter 3, relating to the covering of

the head in places of public amusement

Every licensee shall not, in his place of amusement, allow any person to wear upon the head a covering which obstructs the view of the exhibition or performance in such place of any person seated in any seat therein provided for spectators, it being understood that a low head covering without projection, which does not obstruct such view, may be worn. Attest: J. M. GALVIN. City Clerk

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