Programme, Issues 7-9The Orchestra, 1917 |
From inside the book
Results 1-5 of 29
Page 387
... BASSES . Kunze , M. Agnesy , K. Seydel , T. Ludwig , O. Gerhardt , G. Jaeger , A. Huber , E. Schurig , R. FLUTES . OBOES ... BASS CLARINET . Mosbach , J. Mueller , E. Piller , B. CONTRA - BASSOON . Fuhrmann , M. TROMBONES . Alloo , M ...
... BASSES . Kunze , M. Agnesy , K. Seydel , T. Ludwig , O. Gerhardt , G. Jaeger , A. Huber , E. Schurig , R. FLUTES . OBOES ... BASS CLARINET . Mosbach , J. Mueller , E. Piller , B. CONTRA - BASSOON . Fuhrmann , M. TROMBONES . Alloo , M ...
Page 391
... bass tuba , a set of three kettledrums , snare - drum , bass drum , cymbals , Glockenspiel , and the usual strings . There is an Introduction , Largo , 4-4 , to the first movement . Violon- SELECTED SONGS BY MABEL W. DANIELS JUST ISSUED ...
... bass tuba , a set of three kettledrums , snare - drum , bass drum , cymbals , Glockenspiel , and the usual strings . There is an Introduction , Largo , 4-4 , to the first movement . Violon- SELECTED SONGS BY MABEL W. DANIELS JUST ISSUED ...
Page 392
Boston Symphony Orchestra. cellos and double - basses give an indication of the chief motive . Sus- tained chords of wind instruments follow , and over them appears the leading thought of the symphony ( violins ) . The solo for the basses ...
Boston Symphony Orchestra. cellos and double - basses give an indication of the chief motive . Sus- tained chords of wind instruments follow , and over them appears the leading thought of the symphony ( violins ) . The solo for the basses ...
Page 395
... bass motive of the intro- ductory Largo , and at the end the Adagio theme is sung against the dance motive of the Finale . ** 8 1. Ballard and Bous 256 BOYLSTON STREET TAILORED COSTUMES Our connections in London make it possible for us ...
... bass motive of the intro- ductory Largo , and at the end the Adagio theme is sung against the dance motive of the Finale . ** 8 1. Ballard and Bous 256 BOYLSTON STREET TAILORED COSTUMES Our connections in London make it possible for us ...
Page 424
... bass of ' cellos and double - basses . There is a more agitated middle part , developed by the strings and wind . The first melody returns as before , but now there are eighth - note triplets in the strings , and even eighth notes in ...
... bass of ' cellos and double - basses . There is a more agitated middle part , developed by the strings and wind . The first melody returns as before , but now there are eighth - note triplets in the strings , and even eighth notes in ...
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Common terms and phrases
543 BOYLSTON STREET ACCOMPANIST AFTERNOON Allegro Anacréon artistic Back Bay Balakireff ballet BARITONE bass bassoons beautiful Beethoven Berkeley Building Boston Opera House Boston Symphony Orchestra Boston Telephone BOYLSTON STREET C. A. ELLIS Cello Chloe chorus clarinets composed concert conductor Conservatory Copley Square dance Daphnis DECEMBER E-flat F major F minor flute French FRIDAY GOWNS Habanera Hamlin Piano Handel HARMONY Hats horns HOTEL HEMENWAY Huntington Avenue Huntington Chambers instrument INTERPRETATION January JORDAN HALL KARL MUCK MARIE Mason & Hamlin Mass Massachusetts Avenue Mehlin melody Mendelssohn movement Mozart MUSICAL INSTRUCTION musicians NEWBURY STREET o'clock oboe Oratorio overture Paris performance PIANIST PIANIST and TEACHER pianoforte Pierce Building played Prices programme Pupil Quartet Rachmaninoff Ravel RECITAL Russian scherzo score singers solo Sonata SONG Soprano STEINERT HALL Steinway STREET Telephone strings sung Symphony Hall TEACHER OF SINGING Tenor Thamar Theatre THIRTY-SEVENTH SEASON Tickets tone Tremont Street Viola violin Violoncello Vocalion voice York