Are We Not New Wave?: Modern Pop at the Turn of the 1980s

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University of Michigan Press, Jun 7, 2011 - Music - 294 pages
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“Are We Not New Wave? is destined to become the definitive study of new wave music.”
—Mark Spicer, coeditor of Sounding Out Pop

New wave emerged at the turn of the 1980s as a pop music movement cast in the image of punk rock’s sneering demeanor, yet rendered more accessible and sophisticated. Artists such as the Cars, Devo, the Talking Heads, and the Human League leapt into the Top 40 with a novel sound that broke with the staid rock clichés of the 1970s and pointed the way to a more modern pop style.

In Are We Not New Wave? Theo Cateforis provides the first musical and cultural history of the new wave movement, charting its rise out of mid-1970s punk to its ubiquitous early 1980s MTV presence and downfall in the mid-1980s. The book also explores the meanings behind the music’s distinctive traits—its characteristic whiteness and nervousness; its playful irony, electronic melodies, and crossover experimentations. Cateforis traces new wave’s modern sensibilities back to the space-age consumer culture of the late 1950s/early 1960s.

Three decades after its rise and fall, new wave’s influence looms large over the contemporary pop scene, recycled and celebrated not only in reunion tours,  VH1 nostalgia specials, and “80s night” dance clubs but in the music of artists as diverse as Rihanna, Lady Gaga, Miley Cyrus, and the Killers.

 

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Are We Not New Wave?: Modern Pop at the Turn of the 1980s

User Review  - Neil Derksen - Book Verdict

Closely connected to the decline of punk, springing up independently in America and the UK, and with acts ranging from power pop revivalists to deadpan synthesizer ensembles, new wave is a notoriously ... Read full review

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I read most of this book, kind of in awe that they neglected to mention the most influential key bands. I loved this era in music but the band's championed in this read were the most commercial and though they were the bands to first make it into the radio and made me excited about them, this type of music and the feeling that there was a whole new type of music that was simple and fun and was for my generation as an early teen. A break from all the classic rock shoved down our throats everyday by classic rock stations (though those stations were far more diverse than the programmed classic rock stations of today).
There were some interesting points in the book, but the band's talked about were the ones first introduced to American radio stations. Yeah, I saw most of them in concert as a teen. ...but these were bands that I would be embarrassed of seeing/being interested in just a year or so later.
Once I heard New Order .....most of the other bands mentioned in this book...I never gave a second thought to. New Order aren't mentioned once. Nor Joy Division, Smiths. The bands that were doing something new, but getting it right. Making music of significance that was/is highly more listenable and still sounds beautiful today.
Anyway, gotta run. .. That's my 2cents (written from my cellphone )
 

Contents

Introduction
1
Tracking the Tide The New Wave Washes In and Out
17
The Second British Invasion and Its Aftermath From New Pop to Modern Rock
45
From Neurasthenia to Nervousness The Whiteness of the New Wave
71
Camp Kitsch Trash New Wave and the Politics of Irony
95
I Wish It Could Be 1965 Again Power Pop and the Mining of Rocks Modern Past
123
Roll Over Guitar Heroes Synthesizers Are Here
151
Kings of the Wild Frontier
182
The New Wave Revival
217
Notes
225
Bibliography
257
Index
277
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About the author (2011)

Theo Cateforis is Assistant Professor of Music History and Culture in the Department of Art and Music Histories at Syracuse University.  His research is in the areas of American Music, Popular Music Studies, and Twentieth-Century Art Music. He is editor of the anthology The Rock History Reader.

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