A Midsummer Night's DreamAn exciting new edition of the complete works of Shakespeare with these features: Illustrated with photographs from New York Shakespeare Festival productions, vivid readable readable introductions for each play by noted scholar David Bevington, a lively personal foreword by Joseph Papp, an insightful essay on the play in performance, modern spelling and pronunciation, up-to-date annotated bibliographies, and convenient listing of key passages. |
From inside the book
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Page viii
Early in the play Titania speaks (2,1,1236°) of having women followers (like an
order of nuns) who devote themselves to her service. ... Titania is, however, quite
unlike the classical goddess of chastity, because she is married to Oberon.
Early in the play Titania speaks (2,1,1236°) of having women followers (like an
order of nuns) who devote themselves to her service. ... Titania is, however, quite
unlike the classical goddess of chastity, because she is married to Oberon.
Page xxiii
Titania duly falls in love with Bottom who, despite the ass-head, remains
essentially the Athenian workman — the character established for him in Act /,
scene 2. He is fully in control of the situation in which he finds himself; he
expresses no ...
Titania duly falls in love with Bottom who, despite the ass-head, remains
essentially the Athenian workman — the character established for him in Act /,
scene 2. He is fully in control of the situation in which he finds himself; he
expresses no ...
Page 57
57 Act 4 Act 4 Scene i The lovers sleep in the background, whilst Bottom jokes
with Titania's fairy attendants. Eventually he and Titania also fall asleep, and
Oberon has an opportunity to take the spell off Titania's eyes. The fairy characters
then ...
57 Act 4 Act 4 Scene i The lovers sleep in the background, whilst Bottom jokes
with Titania's fairy attendants. Eventually he and Titania also fall asleep, and
Oberon has an opportunity to take the spell off Titania's eyes. The fairy characters
then ...
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actors appear Athenian Athens Attendants audience become bless Bottom characters classical comes dance dead dear death Demetrius doth duke Egeus Elizabethans Enter Exit eyes fair fairy falls father fear flower Flute follow forest four friends gentle give gone ground hand hast hate hath head hear heart Helena Hermia Hippolyta human imagination keep kind lady leave light lion live look lord lovers Lysander marry master meaning meet Midsummer Night's Dream mind moon never night Oberon once performed perhaps Peter play present Puck Pyramus quarrel queen Quince reason Scene Shakespeare sight sleep Snout sometime speak stage Starveling stay story sweet tell thee Theseus things Thisbe thou thought Titania true voice vows wakes wall wedding wood writing