A Midsummer Night's DreamAn exciting new edition of the complete works of Shakespeare with these features: Illustrated with photographs from New York Shakespeare Festival productions, vivid readable readable introductions for each play by noted scholar David Bevington, a lively personal foreword by Joseph Papp, an insightful essay on the play in performance, modern spelling and pronunciation, up-to-date annotated bibliographies, and convenient listing of key passages. |
From inside the book
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Page 19
... rushes growing at the sides. beached mar gent: beach at the edge (margin).
ringlets : dances round the fairy rings (see ... whistling wind : the wind whistled as
music for their dancing. brawls : quarrels. sport : entertainment. in vain : uselessly
.
... rushes growing at the sides. beached mar gent: beach at the edge (margin).
ringlets : dances round the fairy rings (see ... whistling wind : the wind whistled as
music for their dancing. brawls : quarrels. sport : entertainment. in vain : uselessly
.
Page 79
340 Bergomask dance : country dance originating in Bergamo (Italy). 342-3 No . .
. excuse. In the epilogue, it was quite usual for the writer to ask the audience to
excuse the play's failings (as Puck does at the end of A Midsummer Night's ...
340 Bergomask dance : country dance originating in Bergamo (Italy). 342-3 No . .
. excuse. In the epilogue, it was quite usual for the writer to ask the audience to
excuse the play's failings (as Puck does at the end of A Midsummer Night's ...
Page 80
[Song and dance Now, until the break of day, Through this house each fairy stray.
390 To the best bride-bed will we, Which by us shall blessed be; And the issue
there create Ever shall be fortunate. So shall all the couples three 395 Ever true ...
[Song and dance Now, until the break of day, Through this house each fairy stray.
390 To the best bride-bed will we, Which by us shall blessed be; And the issue
there create Ever shall be fortunate. So shall all the couples three 395 Ever true ...
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Common terms and phrases
actors appear Athenian Athens Attendants audience become bless Bottom characters classical comes dance dead dear death Demetrius doth duke Egeus Elizabethans Enter Exit eyes fair fairy falls father fear flower Flute follow forest four friends gentle give gone ground hand hast hate hath head hear heart Helena Hermia Hippolyta human imagination keep kind lady leave light lion live look lord lovers Lysander marry master meaning meet Midsummer Night's Dream mind moon never night Oberon once performed perhaps Peter play present Puck Pyramus quarrel queen Quince reason Scene Shakespeare sight sleep Snout sometime speak stage Starveling stay story sweet tell thee Theseus things Thisbe thou thought Titania true voice vows wakes wall wedding wood writing