A Midsummer Night's DreamAn exciting new edition of the complete works of Shakespeare with these features: Illustrated with photographs from New York Shakespeare Festival productions, vivid readable readable introductions for each play by noted scholar David Bevington, a lively personal foreword by Joseph Papp, an insightful essay on the play in performance, modern spelling and pronunciation, up-to-date annotated bibliographies, and convenient listing of key passages. |
From inside the book
Results 1-3 of 26
Page 19
... falling in the land, Hath every pelting river madejso~proud That they have
overborne their continents : The ox hath therefore stretch' d his yoke in vain, The
ploughman lost his sweat, and the green corn 95 Hath rotted ere his youth attain'
d a ...
... falling in the land, Hath every pelting river madejso~proud That they have
overborne their continents : The ox hath therefore stretch' d his yoke in vain, The
ploughman lost his sweat, and the green corn 95 Hath rotted ere his youth attain'
d a ...
Page 40
... I know your patience well : that same cowardly, giant-like ox-beef hath
devoured many a gentleman of your house. I promise you, your kindred hath
made my eyes 190 ere : before. 194-5 The Elizabethans believed that dew 4o Act
3 Scene I.
... I know your patience well : that same cowardly, giant-like ox-beef hath
devoured many a gentleman of your house. I promise you, your kindred hath
made my eyes 190 ere : before. 194-5 The Elizabethans believed that dew 4o Act
3 Scene I.
Page 64
The eye of man hath not heard, the ear of man hath not seen, man's hand is not
able to taste, his tongue to conceive, nor his heart to report, what my dream was. I
will get Peter Quince to write a ballad 215 of this dream: it shall be called ...
The eye of man hath not heard, the ear of man hath not seen, man's hand is not
able to taste, his tongue to conceive, nor his heart to report, what my dream was. I
will get Peter Quince to write a ballad 215 of this dream: it shall be called ...
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actors appear Athenian Athens Attendants audience become bless Bottom characters classical comes dance dead dear death Demetrius doth duke Egeus Elizabethans Enter Exit eyes fair fairy falls father fear flower Flute follow forest four friends gentle give gone ground hand hast hate hath head hear heart Helena Hermia Hippolyta human imagination keep kind lady leave light lion live look lord lovers Lysander marry master meaning meet Midsummer Night's Dream mind moon never night Oberon once performed perhaps Peter play present Puck Pyramus quarrel queen Quince reason Scene Shakespeare sight sleep Snout sometime speak stage Starveling stay story sweet tell thee Theseus things Thisbe thou thought Titania true voice vows wakes wall wedding wood writing