A Midsummer Night's DreamAn exciting new edition of the complete works of Shakespeare with these features: Illustrated with photographs from New York Shakespeare Festival productions, vivid readable readable introductions for each play by noted scholar David Bevington, a lively personal foreword by Joseph Papp, an insightful essay on the play in performance, modern spelling and pronunciation, up-to-date annotated bibliographies, and convenient listing of key passages. |
From inside the book
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Page 60
Puck Fairy king, attend, and mark : I do hear the morning lark. Oberon 95 Then,
my queen, in silence sad, Trip we after the night's shade; We the globe can
compass soon, Swifter than the wandering moon. Titania Come, my lord; and in
our ...
Puck Fairy king, attend, and mark : I do hear the morning lark. Oberon 95 Then,
my queen, in silence sad, Trip we after the night's shade; We the globe can
compass soon, Swifter than the wandering moon. Titania Come, my lord; and in
our ...
Page 61
1 10-1 1 From the top of the mountain they will hear the cry of hounds combined
with the echoes. 1 1 2-4 Crete and Sparta were both famous, in classical times,
for their breed of hounds. Cadmus was founder of Thebes, long before the birth of
...
1 10-1 1 From the top of the mountain they will hear the cry of hounds combined
with the echoes. 1 1 2-4 Crete and Sparta were both famous, in classical times,
for their breed of hounds. Cadmus was founder of Thebes, long before the birth of
...
Page 65
Quince Let us hear, sweet Bottom. Bottom Not a word of me. All that I will tell you
is, that the duke hath dined. Get your apparel together, good strings to your
beards, new ribbons to your pumps. 35 Meet presently at the palace. Every man
look ...
Quince Let us hear, sweet Bottom. Bottom Not a word of me. All that I will tell you
is, that the duke hath dined. Get your apparel together, good strings to your
beards, new ribbons to your pumps. 35 Meet presently at the palace. Every man
look ...
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Common terms and phrases
actors appear Athenian Athens Attendants audience become bless Bottom characters classical comes dance dead dear death Demetrius doth duke Egeus Elizabethans Enter Exit eyes fair fairy falls father fear flower Flute follow forest four friends gentle give gone ground hand hast hate hath head hear heart Helena Hermia Hippolyta human imagination keep kind lady leave light lion live look lord lovers Lysander marry master meaning meet Midsummer Night's Dream mind moon never night Oberon once performed perhaps Peter play present Puck Pyramus quarrel queen Quince reason Scene Shakespeare sight sleep Snout sometime speak stage Starveling stay story sweet tell thee Theseus things Thisbe thou thought Titania true voice vows wakes wall wedding wood writing