A Midsummer Night's DreamAn exciting new edition of the complete works of Shakespeare with these features: Illustrated with photographs from New York Shakespeare Festival productions, vivid readable readable introductions for each play by noted scholar David Bevington, a lively personal foreword by Joseph Papp, an insightful essay on the play in performance, modern spelling and pronunciation, up-to-date annotated bibliographies, and convenient listing of key passages. |
From inside the book
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Page 31
... skill, Reason becomes the marshal to my will, And leads me to your eyes;
where I o'erlook Love's stories written in love's richest book. Helena Wherefore
was I to this keen mockery born? 130 When at your hands did I deserve this
scorn?
... skill, Reason becomes the marshal to my will, And leads me to your eyes;
where I o'erlook Love's stories written in love's richest book. Helena Wherefore
was I to this keen mockery born? 130 When at your hands did I deserve this
scorn?
Page 45
126-7 How can my qualities (e.g. his love) appear despicable ('scorn') since they
bear my tears, which are like badges (worn by servants, or members of a society,
to indicate their loyalty). 128 advance : display. 129 truth kills truth : the true ...
126-7 How can my qualities (e.g. his love) appear despicable ('scorn') since they
bear my tears, which are like badges (worn by servants, or members of a society,
to indicate their loyalty). 128 advance : display. 129 truth kills truth : the true ...
Page 48
I scorn you not: it seems that you scorn me. Helena Have you not set Lysander,
as in scorn, To follow me and praise my eyes and face, And made your other love
, Demetrius — 225 Who even but now did spurn me with his foot — To call me ...
I scorn you not: it seems that you scorn me. Helena Have you not set Lysander,
as in scorn, To follow me and praise my eyes and face, And made your other love
, Demetrius — 225 Who even but now did spurn me with his foot — To call me ...
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Common terms and phrases
actors appear Athenian Athens Attendants audience become bless Bottom characters classical comes dance dead dear death Demetrius doth duke Egeus Elizabethans Enter Exit eyes fair fairy falls father fear flower Flute follow forest four friends gentle give gone ground hand hast hate hath head hear heart Helena Hermia Hippolyta human imagination keep kind lady leave light lion live look lord lovers Lysander marry master meaning meet Midsummer Night's Dream mind moon never night Oberon once performed perhaps Peter play present Puck Pyramus quarrel queen Quince reason Scene Shakespeare sight sleep Snout sometime speak stage Starveling stay story sweet tell thee Theseus things Thisbe thou thought Titania true voice vows wakes wall wedding wood writing