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... CRITICS 1 PART II . - POETS OF THE PEOPLE 1 A DIALOGUE . 9 MISS BARRETT'S POEMS 22 THE TWO HERBERTS . 16 • BROWNING'S POEMS ... 31 THE PROSE . WORKS OF MILTON , WITH A BIOGRAPHICAL INTRODUCTION 35 LIVES OF HAYDN , MOZART , HANDEL , BACH ...
... CRITICS 1 PART II . - POETS OF THE PEOPLE 1 A DIALOGUE . 9 MISS BARRETT'S POEMS 22 THE TWO HERBERTS . 16 • BROWNING'S POEMS ... 31 THE PROSE . WORKS OF MILTON , WITH A BIOGRAPHICAL INTRODUCTION 35 LIVES OF HAYDN , MOZART , HANDEL , BACH ...
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... critic , so far as I am aware , has hinted a doubt that it portrays , truly and vividly , its heroine , though she had previously been more widely misapprehended - perhaps I should say uncomprehended - than any of her cotemporaries ...
... critic , so far as I am aware , has hinted a doubt that it portrays , truly and vividly , its heroine , though she had previously been more widely misapprehended - perhaps I should say uncomprehended - than any of her cotemporaries ...
Page iv
... critic , the former being the loftier , the latter the more readily appreciable vocation . Few of us are creators ; all are more or less critics , and so qualified , in some degree , to appreciate and enjoy criticism . And while there ...
... critic , the former being the loftier , the latter the more readily appreciable vocation . Few of us are creators ; all are more or less critics , and so qualified , in some degree , to appreciate and enjoy criticism . And while there ...
Page 1
... critics , imply our hopes and thereby our thoughts . act . First , there are the subjective class , ( to make use of a conve- nient term , introduced by our German benefactors . ) These are persons to whom writing is no sacred , no ...
... critics , imply our hopes and thereby our thoughts . act . First , there are the subjective class , ( to make use of a conve- nient term , introduced by our German benefactors . ) These are persons to whom writing is no sacred , no ...
Page 2
... critic . They give an idea of certain certain act of men in a certain time or place . Their absolute , essential value is nothing . The long review , the eloquent arti- cle by the man of the nineteenth century , are of no value by ...
... critic . They give an idea of certain certain act of men in a certain time or place . Their absolute , essential value is nothing . The long review , the eloquent arti- cle by the man of the nineteenth century , are of no value by ...
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Common terms and phrases
admirable Ambla Artevelde artist Bach beauty Beethoven better breast brother calm character Charles Wesley charm child clavichord critic Dædalus deep delight divine drama earnest earth expression faith fancy feel felt flowers fugue genius give grace Handel happy harmony harpsichord Haydn hear heart heaven honour hope hour human intellectual interest John Sebastian less light literature lives look Lord Madame de Staël Margaret Fuller means melody mind misanthropy Mozart muse nature never noble o'er Paracelsus passages passion perfect Philip Van Artevelde picture play pleasure poems poet poetic poetry present Prince reverence rich scene seems Senesino Shakspeare Sir James Mackintosh song soul speak spirit Strafford Swedenborgianism sweet sympathy taste tender thee things thou thought tion tone true truth verse whole wish woman words Wordsworth write
Popular passages
Page 71 - What thou art we know not: What is most like thee ? From rainbow clouds there flow not Drops so bright to see, As from thy presence showers a rain of melody. Like a poet hidden In the light of thought, Singing hymns unbidden, Till the world is wrought To sympathy with hopes and fears it heeded not...
Page 70 - Higher still and higher From the earth thou springest Like a cloud of fire ; The blue deep thou wingest, And singing still dost soar, and soaring ever singest. In the golden lightning « Of the sunken sun, O'er which clouds are bright'ning, Thou dost float and run ; Like an unbodied joy whose race is just begun.
Page 72 - Like a glow-worm golden In a dell of dew, Scattering unbeholden Its aerial hue Among the flowers and grass, which screen it from the view.
Page 37 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
Page 88 - And those thin clouds above, in flakes and bars, That give away their motion to the stars; Those stars, that glide behind them or between, Now sparkling, now bedimmed, but always seen: Yon crescent Moon, as fixed as if it grew In its own cloudless, starless lake of blue; I see them all so excellently fair, I see, not feel how beautiful they are!
Page 40 - The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace— all and each Would draw from her alike the approving speech, Or blush, at least.
Page 87 - A grief without a pang, void, dark, and drear, A stifled, drowsy, unimpassioned grief, Which finds no natural outlet, no relief, In word, or sigh, or tear O Lady!
Page 20 - Angel's age. God's breath in man returning to his birth, The soul in paraphrase, heart in pilgrimage, The Christian plummet sounding heaven and earth ; Engine against th...
Page 75 - The wind, the tempest roaring high, The tumult of a tropic sky, Might well be dangerous food For him, a youth to whom was given So much of earth, so much of heaven, And such impetuous blood.
Page 74 - Round whose rude shaft dark ivy-tresses grew Yet dripping with the forest's noonday dew, Vibrated, as the ever-beating heart Shook the weak hand that grasped it; of that crew He came the last, neglected and apart; A herd-abandoned deer struck by the hunter's dart.