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admirable affected appeared artist beauty began believe called century character Charles charm Chawton Clarissa course critics death delight Dickens drama Elizabethan England English expression eyes fact finally French friends gave genius German give Goethe Grandison greatest hand happy heart hope human impression influence interesting Jane Austen kind knew known Lady Lessing letters literary literature lived look manner Mark Marlowe means mind Miss moral nature never novel novelist once original Pamela passed passion perhaps person play poems poet poetry publication published readers realism reason received remarked Richardson romance Schiller seems seen sense sentimental short spirit story style success things thought tion to-day tragedy translation true truth virtue volumes whole woman women write written wrote young
Page 40 - Fie, my lord, fie! a soldier, and afeard? What need we fear who knows it, when none can call our power to account? Yet who would have thought the old man to have had so much blood in him? DoCT. Do you mark that? LADY M. The thane of Fife had a wife; where is she now? What, will these hands ne'er be clean? No more o' that, my lord, no more o' that: you mar all with this starting.
Page 15 - For, don't you mark ? we're made so that we love First when we see them painted, things we have passed Perhaps a hundred times nor cared to see; And so they are better, painted — better to us, Which is the same thing. Art was given for that; God uses us to help each other so, Lending our minds out.
Page 194 - Our two souls, therefore, which are one, Though I must go, endure not yet A breach, but an expansion, Like gold to airy thinness beat. If they be two, they are two so As stiff twin compasses are two; Thy soul, the fix'd foot, makes no show To move, but doth if th
Page 248 - The reluctant pangs of abdicating royalty in Edward furnished hints which Shakspeare scarcely improved in his Richard the Second; and the death-scene of Marlowe's king moves pity and terror beyond any scene ancient or modern with which I am acquainted.
Page 108 - I FIRST adventure, with fool-hardy might, To tread the steps of perilous despite. I first adventure, follow me who list, And be the second English satirist.
Page 145 - ... mother tongue, and has read little in that, would be totally without the power of giving. A classical education, or at any rate a very extensive acquaintance with English literature, ancient and modern, appears to me quite indispensable for the person who would do any justice to your clergyman ; and I think I may boast myself to be, with all possible vanity, the most unlearned and uninformed female who ever dared to be an authoress.
Page 243 - tis a lost fear; Man but a rush against Othello's breast, And he retires. Where should Othello go? Now, how dost thou look now? O ill-starr'd wench! Pale as thy smock! when we shall meet at compt, This look of thine will hurl my soul from heaven, And fiends will snatch at it.
Page 76 - A countenance in which did meet Sweet records, promises as sweet; A Creature not too bright or good For human nature's daily food; For transient sorrows, simple wiles, Praise, blame, love, kisses, tears and smiles.
Page 244 - Doth teach us all to have aspiring minds : Our souls, whose faculties can comprehend The wondrous architecture of the world, And measure every wandering planet's course, Still climbing after knowledge infinite, And always moving as the restless spheres, Wills us to wear ourselves and never rest, Until we reach the ripest fruit of all, That perfect bliss and sole felicity, The sweet fruition of an earthly crown.
Page 260 - Enthralls the crimson stomacher, A cuff neglectful, and thereby Ribbands to flow confusedly, A winning wave (deserving note) In the tempestuous petticoat, A careless shoe-string, in whose tie I see a wild civility, Do more bewitch me, than when art Is too precise in every part.