...monolithic accumulation of traditional film conventions (already undertaken by radical film-makers) is to free the look of the camera into its materiality in...space and the look of the audience into dialectics, passionate detachment. There is no doubt that this destroys the satisfaction, pleasure and privilege...

...namely. "to challenge the depiction of reality" and interrogate the language of the cinema: and also. "to free the look of the camera into its materiality in time and space. and the look ot the audience into dialectics. passionate detachment."(7 Structured through montage. the film denies...

...terms are skewed to idealize the radical avant-garde cinema whose work is to politicize desire and free "the look of the camera into its materiality...space and the look of the audience into dialectics, passionate detachment" (Mulvey 18). De Lauretis's critique of binarisms can be applied to Woody Allen's...

...monolithic accumulation of traditional film conventions (already undertaken by radical filmmakers) is to free the look of the camera into its materiality in...space and the look of the audience into dialectics, passionate detachment. There is no doubt that this destroys the satisfaction, pleasure and privilege...

...monolithic accumulation of traditional film conventions (already undertaken by radical filmmakers) is to free the look of the camera into its materiality in...space and the look of the audience into dialectics, passionate detachment. There is no doubt that this destroys the satisfaction, pleasure and privilege...

...identifications. This would seem to achieve what Mulvey calls for in regards to narrative film: "to free the look of the camera into its materiality in...space and the look of the audience into dialectics, passionate detachment."25 CONCLUSIONS: HISTORY = LIFE This inquiry into the forms of the gay and lesbian...

...'ideal instant' of romance — 'to fix it, define it' (p. 136) — Laura Mulvey urged film-makers to 'free the look of the camera into its materiality in time and space'.10 Such a programme was particularly adventurous in the mid 1970s, when modern feminism's own...

...regime: The first blow against the monolithic accumulation of traditional film conventions ... is to free the look of the camera into its materiality in...space and the look of the audience into dialectics, passionate detachment. There is no doubt that this destroys the satisfaction, pleasure and privilege...

...together an impossible portrait of Mona.1 The first blow against . . . traditional film conventions is to free the look of the camera into its materiality in...space and the look of the audience into dialectics, passionate detachment.2 VAGABOND ( 1985) is A FILM about looking, but a kind of looking which is quite...

...concepts: The first blow against the monolithic accumulation of traditional film conventions ... is to free the look of the camera into its materiality in...space and the look of the audience into dialectics, passionate detachment. (1975:18) Demystifying representation, showing how and when the object of pleasure...