European Literature in the Nineteenth Century |
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... FOSCOLO . 79 IX . STENDHAL 96 X. LEOPARDI XI . ALFRED DE VIGNY III 131 XII . MANZONI 145 XIII . BERCHET XIV . GIUSTI 167 182 XV . HEINE XVI . GEORGES SAND XVII . FERNÁN CABALLERO 190 206 230 XVIII . DE MUSSET 252 XIX . BALZAC · 267 XX ...
... FOSCOLO . 79 IX . STENDHAL 96 X. LEOPARDI XI . ALFRED DE VIGNY III 131 XII . MANZONI 145 XIII . BERCHET XIV . GIUSTI 167 182 XV . HEINE XVI . GEORGES SAND XVII . FERNÁN CABALLERO 190 206 230 XVIII . DE MUSSET 252 XIX . BALZAC · 267 XX ...
Page 1
... Foscolo and Leopardi to Carducci . I feel constrained to look upon this poet as closely related to the contemporary writers of the Sturm und Drang in Germany , who , like him , drew their inspira- tion from the pages of Plutarch , and ...
... Foscolo and Leopardi to Carducci . I feel constrained to look upon this poet as closely related to the contemporary writers of the Sturm und Drang in Germany , who , like him , drew their inspira- tion from the pages of Plutarch , and ...
Page 18
... Foscolo , Leopardi , and Manzoni , describing his poetry as old and on the decline , theirs as the dawn . One cannot , in truth , write a general history of a literature without having recourse to such expedients of passages from one ...
... Foscolo , Leopardi , and Manzoni , describing his poetry as old and on the decline , theirs as the dawn . One cannot , in truth , write a general history of a literature without having recourse to such expedients of passages from one ...
Page 19
... Foscolo and Leopardi and Manzoni , but on other grounds than these of the historical distinction between old and new poetry . 66 The youthful Leopardi gave us the true explanation of this when he remarked in his note - book ( II , 131–2 ) ...
... Foscolo and Leopardi and Manzoni , but on other grounds than these of the historical distinction between old and new poetry . 66 The youthful Leopardi gave us the true explanation of this when he remarked in his note - book ( II , 131–2 ) ...
Page 21
... Foscolo and of Leopardi , and perhaps it is not altogether extinguished in our own times , for in the death of Rapisardi we have seen the disappearance of one of its most valiant champions . The poetical type , of which Monti was the ...
... Foscolo and of Leopardi , and perhaps it is not altogether extinguished in our own times , for in the death of Rapisardi we have seen the disappearance of one of its most valiant champions . The poetical type , of which Monti was the ...
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Common terms and phrases
Adelchi admiration æsthetic Alfieri altogether amorous appears artistic avait Balzac Baudelaire beauty become Carducci certainly character cœur comic criticism death described desire drama dream elle emotion eternal evil expressed eyes feeling femme Fernán Caballero Flaubert Foscolo Georges Sand German Goethe heart Hedda Gabler Heine history of poetry human Ibsen ideal images imagination inspiration Italian Italian literature Italy Kleist lack lament Lélia Leopardi literary literature lyrical Madame Bovary Manzoni means Menander mind Monti moral Musset narrative nature never novels observed passion Peer Gynt Penthesilea personages Peter Schlemihl philosophical pity pleasure poems poet poetical poetry political possessed Promessi Sposi prose readers reality reason religious remains romance satirical Schiller seems sense sensual social sometimes sort soul spirit Stendhal story style sublime things thought tion tone tout tragedy true verism verse Vigny wish woman words writers yeux youth Zola
Popular passages
Page 62 - Seemed to have known a better day; The harp, his sole remaining joy, Was carried by an orphan boy. The last of all the bards was he, Who sung of Border chivalry. For, well-a-day! their date was fled, His tuneful brethren all were dead ; •And he, neglected and...
Page 62 - IF thou would'st view fair Melrose aright, Go visit it by the pale moon-light; For the gay beams of lightsome day Gild, but to flout, the ruins gray. When the broken arches are black in night, And each shafted oriel glimmers white; When the cold light's uncertain shower Streams on the ruined central tower; When buttress and buttress, alternately, Seem framed of ebon and ivory; When silver edges the imagery, And the scrolls...
Page 283 - Pensive, s'asseyait à l'écart sur un banc, Pour entendre un de ces concerts, riches de cuivre, Dont les soldats parfois inondent nos- jardins-, Et qui, dans ces soirs d'or où l'on se sent revivre, Versent quelque héroïsme au cœur des citadins.
Page 4 - Sì, dolce sposo (ch'io già tal ti appello), Se cosa io mai ferventemente al mondo Bramai, di partir teco al nuovo sole Tutta ardo, e il voglio.
Page 282 - Reviennent, parfumés d'une odeur de futailles, Suivis de compagnons blanchis dans les batailles, Dont la moustache pend comme les vieux drapeaux ; Les bannières, les fleurs et les arcs triomphaux Se dressent devant eux, solennelle magie!
Page 134 - Ta pensée a des bonds comme ceux des gazelles. Mais ne saurait marcher sans guide et sans appui. Le sol meurtrit ses pieds, l'air fatigue ses ailes, Son œil se ferme au jour dès que le jour a lui ; Parfois, sur les hauts lieux d'un seul élan posée, Troublée au bruit des vents, ta mobile pensée Ne peut seule y veiller sans crainte et sans ennui.
Page 62 - When the cold light's uncertain shower Streams on the ruined central tower; When buttress and buttress, alternately, Seem framed of ebon and ivory ; When silver edges the imagery, And the scrolls that teach thee to live and die...
Page 125 - J'ai marché devant tous, triste et seul dans ma gloire, Et j'ai dit dans mon cœur : Que vouloir à présent...
Page 283 - Ils rampent, flagellés par les bises iniques, Frémissant au fracas roulant des omnibus, Et serrant sur leur flanc, ainsi que des reliques, Un petit sac brodé de fleurs ou de rébus...
Page 15 - Sotto la man de' fabri Volto e vigor prendevano I massi informi e scabri Ubbidiente e docile II bronzo...