Essays on the Picturesque, as Compared with the Sublime and the Beautiful: And, on the Use of Studying Pictures, for the Purpose of Improving Real Landscape, Volume 1J. Mawman, 1810 - Aesthetics |
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Page 19
... broken and abrupt , and seldom keeping for a long space , the same level from the water : no curves that answer each other ; no resemblance , in short , to what the improver had been used to ad- mire : a few strokes of the painter's ...
... broken and abrupt , and seldom keeping for a long space , the same level from the water : no curves that answer each other ; no resemblance , in short , to what the improver had been used to ad- mire : a few strokes of the painter's ...
Page 24
... lanes and bye roads , all the leading features , and a thousand cir- cumstances of detail , promote the natural intricacy of the ground : the turns are sud- den and unprepared ; the banks sometimes broken and abrupt 24.
... lanes and bye roads , all the leading features , and a thousand cir- cumstances of detail , promote the natural intricacy of the ground : the turns are sud- den and unprepared ; the banks sometimes broken and abrupt 24.
Page 25
... broken and abrupt ; sometimes smooth , and gently , but not uniformly sloping ; now wildly over - hung with thickets of trees and bushes ; now loosely skirted with wood : no regular verge of grass , no cut edges , no distinct lines of ...
... broken and abrupt ; sometimes smooth , and gently , but not uniformly sloping ; now wildly over - hung with thickets of trees and bushes ; now loosely skirted with wood : no regular verge of grass , no cut edges , no distinct lines of ...
Page 50
... broken manner , and where there is no sudden protube- rance : it requires but little reflection to perceive , that the exclusion of all but flowing lines cannot promote variety ; and that sudden protuberances , and lines that cross each ...
... broken manner , and where there is no sudden protube- rance : it requires but little reflection to perceive , that the exclusion of all but flowing lines cannot promote variety ; and that sudden protuberances , and lines that cross each ...
Page 52
... broken , and through their ivy - fringed openings is displayed in a more broken and picturesque manner , that striking image in Virgil , Apparet domus intus , & atria longa patescunt ; Apparent Priami & veterum penetralia regum . Gothic ...
... broken , and through their ivy - fringed openings is displayed in a more broken and picturesque manner , that striking image in Virgil , Apparet domus intus , & atria longa patescunt ; Apparent Priami & veterum penetralia regum . Gothic ...
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Essays on the Picturesque, as Compared with the Sublime and the ..., Volume 3 Uvedale Price No preview available - 2018 |
Common terms and phrases
according admired Æschylus animals appearance arbutus art of painting artist avenue banks belt breadth broken Brown buildings Burke called Caravaggio character charms circumstances Claude clumps Colonna palace colour colours of spring Correggio deformity degree delight distinct Domenico Feti effect equally expression firs foliage freshness gardening give grand grandeur ground idea of beauty imitated impression improver intricacy irritation kind landscape less light and shadow lines look manner means ment mind monotony nature neral ness objects observed ornament painter Palladian architecture peculiar perhaps picturesque Pietro da Cortona plantations planted pleasure prevail principles produced racter Rembrandt Repton resque rich river rough Rubens Salvator Rosa scenery scenes seems sense shade shew shewn Sir Joshua Reynolds smooth soft spect striking strongly marked style sublime sudden supposed symmetry taste thing tints tion Titian trees ture turesque ugliness varied variety Venetian whole wood word
Popular passages
Page 97 - Less than archangel ruined, and the excess Of glory obscured ; as when the sun, new risen, Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Page 132 - Making it momentary as a sound, Swift as a shadow, short as any dream, Brief as the lightning in the collied night, That, in a spleen, unfolds both heaven and earth, And ere a man hath power to say, — Behold ! The jaws of darkness do devour it up : So quick bright things come to confusion.
Page 100 - Appear like mice; and yon' tall anchoring bark, Diminish'd to her cock; her cock, a buoy Almost too small for sight: The murmuring surge, That on the unnumber'd idle pebbles chafes, Cannot be heard so high: — I'll look no more; Lest my brain turn, and the deficient sight Topple down headlong.
Page 190 - The other shape, If shape it might be call'd that shape had none Distinguishable in member, joint, or limb ; Or substance might be call'd that shadow seem'd, For each seem'd either: black it stood as night, Fierce as ten furies, terrible as Hell, And shook a dreadful dart ; what seem'd his head The likeness of a kingly crown had on.
Page 64 - Archangel ; but his face Deep scars of thunder had intrenched, and care Sat on his faded cheek ; but under brows Of dauntless courage, and considerate pride Waiting revenge. Cruel his eye, but cast Signs of remorse and passion...
Page 87 - THE passion caused by the great and sublime in nature, when those causes operate most powerfully, is astonishment : and astonishment is that state of the soul in which all its motions are suspended, with some degree of horror.
Page 116 - Twas but a kindred sound to move, For pity melts the mind to love. Softly sweet, in Lydian measures Soon he soothed his soul to pleasures. War...
Page 51 - A temple or palace of Grecian architecture in its perfect entire state, and with its surface and colour smooth and even, either in painting or reality is beautiful; in ruin it is picturesque.
Page 63 - In our own species, objects merely picturesque are to be found among the wandering tribes of gypsies and beggars, who, in all the qualities which give them that character, bear a close analogy to the wild forester and the worn out cart horse, and again to old mills, hovels, and other inanimate objects of the same kind.
Page 163 - ... else has retired into obscurity ; it still forces itself into notice, still impudently stares you in the face. An object of a sober tint, unexpectedly gilded by the sun, is like a serious countenance suddenly lighted up by a smile ; a whitened object like the eternal grin of a fool.