The Science of Beauty: As Developed in Nature and Applied in Art

aesthetic ancient Grecian ancient Greek ancient Greek art applied architecture arranged artistic arts of design Blue circumference composite ellipse concave constitute construction contour convex curve curvilinear determined by harmonic diagram Dominant Dr Zeising draw duad Elliptic Curve equal Euphranor existing foci formative art fundamental angle genius geometric greater axis Greece Greek art harmonic elements harmonic law head and countenance human figure human head impart inscribing rectangle intercolumniations isosceles triangle law of nature line A B Mediant melody mind monad moulding muscle musical notes numerical ratio orange hue ornamental Orthographic Beauty outline Parthenon pediment Penrose perfect Pheidias Plate Plato Portland Vase primary colours principles of beauty produced pulsations Pythagoras right angle scalene triangle scales science of beauty secondary colours shew shewn simple soleus muscle sounds Submediant Subtonic symmetrical beauty theory tions toned gray Tonic University of Edinburgh variety various vertical line Yellow