Heterotopia in Angela Carter’s Fiction: Worlds in Collision
Anchor Academic Publishing (aap_verlag), 2014 - Language Arts & Disciplines - 332 pages
Angela Carter’s work is a collage of discourses and genres. The challenge of finding a critical framework, complex and accurate enough to classify her work, has remained. The spectacular and the pragmatic threads of her texts, framed by extreme seriousness and witty humour are unravelled with the help of a different metaphor, denoting enigmatic spaces, conterdiscourses, borders of otherness – heterotopia. Five novels out of nine, five short stories out of thirty-five, as well as Carter’s two film adaptations are filtered through a term extricated from its medical and geographical roots, which emphasizes the ambiguity, as well as the dialogic interaction of Angela Carter’s often discordant discourses that have kept her at the top of the literary canon.
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Albertina alchemical Angela Carter’s Bakhtin becomes Beulah Bloody Chamber body brothel carnival carnivalesque Carter cave characters cinema Circus Company of Wolves confidence trick constructed culture dancing daughter death deconstruction desert Desiderio discourse Doctor Hoffman Dora’s dream Erl-King erotic Eve/lyn fairy-tales fantasy father female femininity feminist Fevvers fiction figure film flesh Foucault gaze gender girl Gothic grotesque grotesque bodies heterotopia heterotopic human identity illusion Infernal Desire Machines journey Lady Purple Leilah liminal literary lives Lorna Sage Machines of Doctor Magic Toyshop magical realism male masculine Melchior metaphor mirror mother movie myth narrative narrator Nights novel object panopticon parody Passion patriarchal performance play postmodern prison puppet reader reality representation represents rituals role Sadeian sexual short story social space spatial subversive symbolic theatre transformation transgression Tristessa turns vampire victim voice Walser Wise Children woman womb women Zero Zero’s