JahrbuchQuelle & Meyer, 1967 Vols. for 1964- include Shakespeare-Bibliographie. |
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Page 70
... Scott we can find the relatively uncensored responses of a represen- tative Victorian playgoer . He speaks too for Everyplaygoer , providing testimony about something that has received surprisingly little com- ment : how it feels to ...
... Scott we can find the relatively uncensored responses of a represen- tative Victorian playgoer . He speaks too for Everyplaygoer , providing testimony about something that has received surprisingly little com- ment : how it feels to ...
Page 71
... Scott , his " was a voice that carried " . ? As with any journalism , much of Scott's immediacy passed with the moment . Occasionally , he includes a telling detail that recreates the moment : about to murder Desdemona , Salvini's ...
... Scott , his " was a voice that carried " . ? As with any journalism , much of Scott's immediacy passed with the moment . Occasionally , he includes a telling detail that recreates the moment : about to murder Desdemona , Salvini's ...
Page 79
... Scott writes in a representative passage : Many may think - and nervousness may possibly account for it - that this actor started the impetuousness of Lear at too high a pitch and too great a strain . He seemed to have exhausted himself ...
... Scott writes in a representative passage : Many may think - and nervousness may possibly account for it - that this actor started the impetuousness of Lear at too high a pitch and too great a strain . He seemed to have exhausted himself ...
Contents
Glückwunsch an den Schirmherrn der Gesellschaft Kardinal Frings | 7 |
Horst Oppel 120 | 14 |
Leopold Lindtberg | 20 |
Copyright | |
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acting actor Archer audience Aufführung Ausg besonders bewußt BFLStr Brahm Charles Claus Bremer Coriolanus Cressida criticism Cymbeline deutschen Bühne Deutschen Shakespeare-Gesellschaft Dichter Diebold Drama Dramen Einfluß elisabethanischen Ellen Terry englischen Erl.-Schr ersten Fontane Garrick Gerichtsszene great großen Hamlet heißt Henry historischen Iago Inszenierung Irving Jahre Jahrhundert John Julius Caesar Kean Kenneth Tynan Kerr King Lear Komödie König Lear Kritik Kunst kurz läßt lich ließ London Macbeth make Maß Measure for Measure modern modernen muß Natur Night Othello performance Phelps play plays production Publikum Regisseur Review Richard Richard III Romeo and Juliet Romeo und Julia scene Schauspieler schen schließlich Schluß Schröder Scott Sh's Shake Shakespeare Shakespeare's Shakespeareschen ShStCin Shylock siehe sonnets speare Spiel stage Stück Studies Szene Text Theater theatrical Times Titus Andronicus tragedy tragischen Tragödie Troilus Univ unsere Verleumdung Verleumdungsszenen weiß Werk Widerspenstigen Zähmung William Wilson Wort Zuschauer