American film acting: the Stanislavski heritage |
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Contents
Background I | 1 |
American Stage | 7 |
Arrival Interpretation | 21 |
Copyright | |
9 other sections not shown
Common terms and phrases
acting styles Actor Best Supporting Actors Studio Actress Best Actor affective memory American Theatre analytic Art/Film Stills Archives artistic Barrymore Best Actor Best Best Actress Best Best Director Best Best Supporting Actor Best Supporting Actress Boleslavski character cinema Courtesy of Museum Critical D. W. Griffith David Belasco David Garfield developed Dialogue on Film Dustin Hoffman Elia Kazan Elizabeth Reynolds Hapgood experience experimentation film actors Group Theatre Harold Clurman Hollywood Ibid impact improvisation inner technique inner truth Jack Nicholson Jane Fonda Lee Strasberg Lillian Gish Marlon Brando Maureen Stapleton Method Modern Art/Film Stills Moscow Art Theatre Movies Museum of Modern Nazimova Ouspenskaya Pacino Paul Newman performance physical actions play Player's Place players psychological Pudovkin realism Richard Boleslavski role Screen Acting Sidney stage actors Stanislavski system star Stella Adler Streetcar Named Desire Studio members Supporting Actress Best television theatre and film Theatre Arts Books Theatre Magazine theatrical Tulane Drama Review Vakhtangov York
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Bibliographic information
| Title | American film acting: the Stanislavski heritage Volume 28 of Studies in cinema Studies in Cinema, No. 28 |
| Author | Richard A. Blum |
| Publisher | UMI Research Press, 1984 |
| Original from | the University of Michigan |
| Digitized | 3 Mar 2008 |
| ISBN | 0835715906, 9780835715904 |
| Length | 115 pages |
| Subjects | › › Method (Acting) Method acting Motion picture acting Motion pictures Motion pictures United States History Motion pictures/ United States/ History Performing Arts / Acting & Auditioning Performing Arts / Film & Video / History & Criticism Performing Arts / General Stanislavsky method |
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