American Film Acting: The Stanislavski Heritage |
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Page 11
... developed his own stars and exploited their names on the marquee . In film , however , the actor remained anonymous until Carl Laemmle , head of the independent film company IMP , created his own star . He hired Florence Lawrence ...
... developed his own stars and exploited their names on the marquee . In film , however , the actor remained anonymous until Carl Laemmle , head of the independent film company IMP , created his own star . He hired Florence Lawrence ...
Page 54
... developed and controlled by the actor . " 16 The Actors Studio was highly criticized for delving into the individual psyche of the actor , particularly in “ private moment " exercises . " The " private moment " calls upon the actor to ...
... developed and controlled by the actor . " 16 The Actors Studio was highly criticized for delving into the individual psyche of the actor , particularly in “ private moment " exercises . " The " private moment " calls upon the actor to ...
Page 60
... developed a ritualistic style in which actors communicated through physical and sensory expressions rather than through the polemic of the word . The idea was conceived by Antonin Artaud , whose Theatre and Its Double ( 1958 ) became ...
... developed a ritualistic style in which actors communicated through physical and sensory expressions rather than through the polemic of the word . The idea was conceived by Antonin Artaud , whose Theatre and Its Double ( 1958 ) became ...
Contents
Background | 1 |
American Stage | 7 |
Arrival Interpretation | 21 |
Copyright | |
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