American Film Acting: The Stanislavski Heritage |
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Page 80
... Director * Best Actress Best Actor Best Actor Best Supporting Actress Shelley Winters Diary of Anne Frank Shirley ... Director * Best Actress Best Supporting Actress Best Director Best Director Best Actress Best Director * Best Actress ...
... Director * Best Actress Best Actor Best Actor Best Supporting Actress Shelley Winters Diary of Anne Frank Shirley ... Director * Best Actress Best Supporting Actress Best Director Best Director Best Actress Best Director * Best Actress ...
Page 81
... Director * Best Actor Best Actress Best Supporting Actress * Best Actor Best Supporting Actor Best Actress Best Supporting Actor Best Actress Best Supporting Actor Best Supporting Actress Best Supporting Actor Best Director * Best Director ...
... Director * Best Actor Best Actress Best Supporting Actress * Best Actor Best Supporting Actor Best Actress Best Supporting Actor Best Actress Best Supporting Actor Best Supporting Actress Best Supporting Actor Best Director * Best Director ...
Page 90
... Director 1954 On the Waterfront Best Director 1956 Cat on a Hot Tin Roof Best Director 1963 America , America Best Director Cloris Leachman 1976 Phyllis Best Actress Tina Louise 1958 * * Most Promising Newcomer Kevin McCarthy 1951 Death ...
... Director 1954 On the Waterfront Best Director 1956 Cat on a Hot Tin Roof Best Director 1963 America , America Best Director Cloris Leachman 1976 Phyllis Best Actress Tina Louise 1958 * * Most Promising Newcomer Kevin McCarthy 1951 Death ...
Contents
Background | 1 |
American Stage | 7 |
Arrival Interpretation | 21 |
Copyright | |
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Academy achieve action Actor Best Supporting Actors Studio Actress Best Actor Actress Best Supporting Adler affective memory American Film analytic approach artistic Awards became Belasco Best Actor Best Best Actress Best Best Director Best Supporting Actor Best Supporting Actress Boleslavski Books Century character cinema concentration considered continued created Critical David developed directed Director early emotional emphasis experience experimentation expressed Fall feelings fifties film acting given Griffith Group Theatre History Hollywood Ibid idea imagination impact inner Jo Van Fleet John Karl Malden Kim Hunter later Lee Strasberg March Method Moscow Motion Picture Movies nature observation Paul performance period physical Place play preparation Press problems production psychological published realism reality recall requirements Richard Robert role scene screen sought stage Stanislavski system star stressed style success Supporting Actor Best Supporting Actress Best techniques television Theatre Arts Theatre Magazine theatrical thirties truth Tulane Drama Review Winter World York