American Film Acting: The Stanislavski Heritage |
From inside the book
Results 1-3 of 9
Page 63
... elements of the Stanislavski system that he found particularly valuable in his work as a film director : There's a basic element in the Stanislavski system that has always helped me a lot in directing actors in the movies . The key word ...
... elements of the Stanislavski system that he found particularly valuable in his work as a film director : There's a basic element in the Stanislavski system that has always helped me a lot in directing actors in the movies . The key word ...
Page 73
... Elements of the Stanislavski system are also widely used by a great number of actors , directors , and teachers outside the Studio . Acting teachers and professionals from New York to Los Angeles offer training in some aspects of script ...
... Elements of the Stanislavski system are also widely used by a great number of actors , directors , and teachers outside the Studio . Acting teachers and professionals from New York to Los Angeles offer training in some aspects of script ...
Page 76
... elements that work at one time , and not at another . You have to find the elements that work best in each role , and discard the rest . The end result should seem like no acting . " 1,41 40 Robert De Niro agrees with that philosophy ...
... elements that work at one time , and not at another . You have to find the elements that work best in each role , and discard the rest . The end result should seem like no acting . " 1,41 40 Robert De Niro agrees with that philosophy ...
Contents
Background | 1 |
American Stage | 7 |
Arrival Interpretation | 21 |
Copyright | |
9 other sections not shown
Common terms and phrases
Academy achieve action Actor Best Supporting Actors Studio Actress Best Actor Actress Best Supporting Adler affective memory American Film analytic approach artistic Awards became Belasco Best Actor Best Best Actress Best Best Director Best Supporting Actor Best Supporting Actress Boleslavski Books Century character cinema concentration considered continued created Critical David developed directed Director early emotional emphasis experience experimentation expressed Fall feelings fifties film acting given Griffith Group Theatre History Hollywood Ibid idea imagination impact inner Jo Van Fleet John Karl Malden Kim Hunter later Lee Strasberg March Method Moscow Motion Picture Movies nature observation Paul performance period physical Place play preparation Press problems production psychological published realism reality recall requirements Richard Robert role scene screen sought stage Stanislavski system star stressed style success Supporting Actor Best Supporting Actress Best techniques television Theatre Arts Theatre Magazine theatrical thirties truth Tulane Drama Review Winter World York