Julian Bream: The Foundations of a Musical Career |
Contents
Sounds of Enchantment | 16 |
Julians Trial Recital | 35 |
Maccaferris Monstrosity | 46 |
Toujours en Crescendo | 64 |
Well its music for the Spanish guitar | 78 |
The Hands of Promise | 90 |
Segovia and Sir George | 105 |
Lacrimae and Fulfilment | 113 |
Chronology | 123 |
A letter from Wilfrid Appleby | 128 |
Wilfrid Appleby | 142 |
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Common terms and phrases
accepted Albéniz Alliance Hall amateur Andrés Segovia Anelli Appleby's April artists audience August Bach began BPSG Bream to Wilfrid Britain British Bulletin Cheltenham classical guitar College of Music composers concert Dear Wilfrid December Douglas Lawrence English Ernest Shand extra strings February Fernando Sor finger fretted instrument Granados guitar construction guitar music Hampton heard Henry and Julian Henry Bream Henry's Ibanez invited January Julian Bream Julian played Julian's career Julian's fund Julian's future Julian's recital Julian's trial July Letter from Henry London début luthiers Maccaferri Manchester ment Minuet Miss Vollers musicians November October Panormo Pelzer performance Perott Philharmonic Society piano pieces player plectrum plectrum guitar Prelude programme PSG meeting PSG's Radio broadcast Ramírez Reginald Smith Brindle repertoire Royal College September Sir George Dyson Society of Guitarists solo Sonata soundboard Spanish guitar success Tárrega technique Terry Usher tone Wigmore Hall Wigmore Hall recital Wilfrid Appleby Witney wrote
References to this book
Ibbs and Tillett: The Rise and Fall of a Musical Empire Christopher Fifield No preview available - 2005 |