Memoirs of the Life of John Philip Kemble, Esq: Including a History of the Stage, from the Time of Garrick to the Present Period, Volume 1 |
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Page v
... once abundant and authentic . It is my design to pay equal attention to the splendid talents of his sister , Mrs. Siddons : I cannot at all hope to do justice to the one , without embracing the other in my theatrical picture ; and even ...
... once abundant and authentic . It is my design to pay equal attention to the splendid talents of his sister , Mrs. Siddons : I cannot at all hope to do justice to the one , without embracing the other in my theatrical picture ; and even ...
Page x
... once have really dramatised incidents from her own romance ; and thus have left among the family pa- pers two , perhaps weak , comedies , for her son to em- bellish by his wit , as he afterwards graced the Stranger and Pizarro by his ...
... once have really dramatised incidents from her own romance ; and thus have left among the family pa- pers two , perhaps weak , comedies , for her son to em- bellish by his wit , as he afterwards graced the Stranger and Pizarro by his ...
Page xix
... once in this character . The Orphan . Holman's Hamlet . Henderson's readings at Freemason's Hall . Le Texier in Lisle - street . Compared with each other Theatres resumed , Othello . Mr Kemble in the Moor . His sis- ter in Desdemona ...
... once in this character . The Orphan . Holman's Hamlet . Henderson's readings at Freemason's Hall . Le Texier in Lisle - street . Compared with each other Theatres resumed , Othello . Mr Kemble in the Moor . His sis- ter in Desdemona ...
Page xxv
... Once a proprietor . Schism in the theatre . Mrs Lewis alarmed . Relinquishes his sixth share of Covent Garden . Mr. Kemble purchases . Value of the property , and distribu- tion of it . Improvement of the house . 457-470 CHAP . III ...
... Once a proprietor . Schism in the theatre . Mrs Lewis alarmed . Relinquishes his sixth share of Covent Garden . Mr. Kemble purchases . Value of the property , and distribu- tion of it . Improvement of the house . 457-470 CHAP . III ...
Page 3
... once simple and expressive . " This , sir , is my father . " And to the old gentleman , " Allow me to present to you my friend , Mr. Boaden . " He received me with the benignity suitable to his age , and addressed himself to me ...
... once simple and expressive . " This , sir , is my father . " And to the old gentleman , " Allow me to present to you my friend , Mr. Boaden . " He received me with the benignity suitable to his age , and addressed himself to me ...
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Common terms and phrases
acted actor actress admired amusement appearance attended audience Bannister beautiful benefit better boxes called certainly character Charles Kemble charm Colman comedy comic Coriolanus Covent Garden Theatre critic delight display ditto dramatic dress Drury Lane Theatre effect entertainment excellent excited exhibited expression Falstaff fame fancy farce father feeling Garrick genius gentleman George Steevens grace Hamlet Harris Henderson honour interest JOHN PHILIP KEMBLE Jordan Kemble Kemble's King Lady Lord Macbeth manager manner ment merit mind Miss Farren nature never night occasion opera Othello Palmer passion perfect performance perhaps person piece play poet pounds present Prince Hoare proprietors racter reader remember Reynolds rival royal scene School for Scandal season seemed Shakspeare Sheridan Siddons sion spirit Spranger Barry stage Steevens talent taste Theatre Royal theatrical thing thought tion tragedy usual Vortigern whole writer young
Popular passages
Page 370 - twere with a defeated joy, With one auspicious and one dropping eye, With mirth in funeral and with dirge in marriage, In equal scale weighing delight and dole...
Page 58 - I have of late— but wherefore I know not— lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory; this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours.
Page 201 - Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar?
Page 38 - Sometimes it lieth in pat allusion to a known story, or in seasonable application of a trivial saying, or in forging an apposite tale : sometimes it playeth in words and phrases, taking advantage from the ambiguity of their sense, or the affinity of their sound.
Page 555 - A play read affects the mind like a play acted. It is therefore evident that the action is not supposed to be real; and it follows that between the acts a longer or shorter time may be allowed to pass, and that no more account of space or duration is to be taken by the auditor of a drama...
Page 89 - We are alarmed into reflection ; our minds (as it has long since been observed) are purified by terror and pity; our weak unthinking pride is humbled, under the dispensations of a mysterious wisdom. Some tears might be drawn from me, if such a spectacle were exhibited on the stage. I should be truly ashamed of finding in myself that superficial, theatric sense of painted distress, whilst I could exult over it in real life.
Page 65 - Angels and ministers of grace defend us! Be thou a spirit of health, or goblin damn'd, Bring with thee airs from heaven, or blasts from hell, Be thy intents wicked, or charitable, Thou com'st in such a questionable shape, That I will speak to thee...
Page 38 - ... an objection : sometimes it is couched in a bold scheme of speech, in a tart irony, in a lusty hyperbole, in a startling metaphor, in a plausible reconciling of contradictions, or in acute nonsense: sometimes a scenical representation of persons or things, a counterfeit speech, a mimical look or gesture passeth for it.
Page 38 - ... from a lucky hitting upon what is strange ; sometimes from a crafty wresting obvious matter to the purpose. Often it consisteth in one knows not what, and springeth up one can hardly tell how. Its ways are unaccountable, and inexplicable ; being answerable to the numberless rovings of fancy, and windings of language.
Page 354 - Thou clapp'st thy rattling fingers to thy sides. And when this solemn mockery is o'er, "With icy hand thou tak'st him by the feet, And upward, so, till thou dost reach the heart, And wrap him in the cloak of 'lasting night.