Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 103
... Antigone is based on the same artistic conception as that of all its previous play productions . This conception is , in a word , realism ; and since the Antigone of the 1840's was based on an opposing conception , the divergence was ...
... Antigone is based on the same artistic conception as that of all its previous play productions . This conception is , in a word , realism ; and since the Antigone of the 1840's was based on an opposing conception , the divergence was ...
Page 105
... Antigone , for example ? We see that our deepest impressions are not the same as those of the ancient Greeks . Antigone is the nearest to us of all the Greek tragedies because within ourselves we find the same conflict as that which ...
... Antigone , for example ? We see that our deepest impressions are not the same as those of the ancient Greeks . Antigone is the nearest to us of all the Greek tragedies because within ourselves we find the same conflict as that which ...
Page 106
... Antigone and Creon were not heroes of equal stature . Their sympathies belonged to Antigone ; Creon was only the foil , the figure needed as a contrast to the protagonist . He was not a significant character in his own right . A glance ...
... Antigone and Creon were not heroes of equal stature . Their sympathies belonged to Antigone ; Creon was only the foil , the figure needed as a contrast to the protagonist . He was not a significant character in his own right . A glance ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words