Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 27
... Antoine raised the central question of the new stage : " In modern works written in a vein of realism and naturalism ... Antoine insisted , for unless the naturalistic plays were staged and acted the right way , they would fail , as had ...
... Antoine raised the central question of the new stage : " In modern works written in a vein of realism and naturalism ... Antoine insisted , for unless the naturalistic plays were staged and acted the right way , they would fail , as had ...
Page 29
... Antoine could say , after the failure of his production of Curel's Les Fossiles , " I am far happier to have ... Antoine " was an apostle teaching new doctrines , " said Curel , “ and a master in indicating the way to apply them . " As ...
... Antoine could say , after the failure of his production of Curel's Les Fossiles , " I am far happier to have ... Antoine " was an apostle teaching new doctrines , " said Curel , “ and a master in indicating the way to apply them . " As ...
Page 441
... Antoine , André : " Causerie sur la mise en scène . " La Revue de Paris , X , April 1 , 1903 , 596-612 . Antoine , André : Mes Souvenirs sur le Théâtre Antoine et sur L'Odéon . Paris : Bernard Grosset , 1928 . Antoine , André : Mes ...
... Antoine , André : " Causerie sur la mise en scène . " La Revue de Paris , X , April 1 , 1903 , 596-612 . Antoine , André : Mes Souvenirs sur le Théâtre Antoine et sur L'Odéon . Paris : Bernard Grosset , 1928 . Antoine , André : Mes ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words