Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 30
... Brahm's motives were like those Antoine expressed when he sought his position at the Odéon . Brahm " wanted to produce the classics but not in the tradi- tional and conventional way ; his intention was to make them come to life by ...
... Brahm's motives were like those Antoine expressed when he sought his position at the Odéon . Brahm " wanted to produce the classics but not in the tradi- tional and conventional way ; his intention was to make them come to life by ...
Page 31
... Brahm tried to create the ensemble through individual talents . Neither Brahm nor Antoine used a Regiebuch , or production plan , for their performances . Since Brahm preferred to allow the play to take shape during rehearsals , he had ...
... Brahm tried to create the ensemble through individual talents . Neither Brahm nor Antoine used a Regiebuch , or production plan , for their performances . Since Brahm preferred to allow the play to take shape during rehearsals , he had ...
Page 443
... Brahm , Otto : Kritische Schriften über Drama und Theater . Berlin : S. Fischer , 1913 . Henze , Herbert : Otto Brahm und das Deutsche Theater in Berlin . Berlin : E. S. Mittler und Sohn , 1930. ( An abridged adaptation of this work in ...
... Brahm , Otto : Kritische Schriften über Drama und Theater . Berlin : S. Fischer , 1913 . Henze , Herbert : Otto Brahm und das Deutsche Theater in Berlin . Berlin : E. S. Mittler und Sohn , 1930. ( An abridged adaptation of this work in ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words