Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 46
... Copeau so frequently spoke . In a letter to Louis Jouvet , his co - worker and régisseur ( stage manager ) , Copeau wrote : " I would put all the books under lock and key , to forbid you to use them ( that bothers you , eh ? ) .... The ...
... Copeau so frequently spoke . In a letter to Louis Jouvet , his co - worker and régisseur ( stage manager ) , Copeau wrote : " I would put all the books under lock and key , to forbid you to use them ( that bothers you , eh ? ) .... The ...
Page 69
... Copeau , as does Michel Saint - Denis , Copeau's nephew , who has brought his disciplined devotion to art to theater schools in England and America . Dullin tried to achieve at his Atelier what Copeau had sought at the Vieux Colombier ...
... Copeau , as does Michel Saint - Denis , Copeau's nephew , who has brought his disciplined devotion to art to theater schools in England and America . Dullin tried to achieve at his Atelier what Copeau had sought at the Vieux Colombier ...
Page 444
... Copeau , Jacques : Etudes d'art dramatique , critiques d'un autre temps . Paris : Editions de la Nouvelle Revue Française , 1923 . Copeau , Jacques : Les Fourberies de Scapin de Molière , mise en scène et commentaires . Preface de Louis ...
... Copeau , Jacques : Etudes d'art dramatique , critiques d'un autre temps . Paris : Editions de la Nouvelle Revue Française , 1923 . Copeau , Jacques : Les Fourberies de Scapin de Molière , mise en scène et commentaires . Preface de Louis ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words