Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 58
... Nikolai Okhlopkov . Soviet theater is once again being en- riched by this brilliant exponent of the director's art . The great directors stand pre - eminent because of the grandeur of their vision or the magnitude of their ...
... Nikolai Okhlopkov . Soviet theater is once again being en- riched by this brilliant exponent of the director's art . The great directors stand pre - eminent because of the grandeur of their vision or the magnitude of their ...
Page 61
... Nikolai Okhlopkov , one of Meyerhold's epigones , also tried to synthesize the Meyerhold and Stanislavsky approaches in the light of new social needs . In the arena of his Realistic Theater he sought an emotional union in which " actor ...
... Nikolai Okhlopkov , one of Meyerhold's epigones , also tried to synthesize the Meyerhold and Stanislavsky approaches in the light of new social needs . In the arena of his Realistic Theater he sought an emotional union in which " actor ...
Page 257
... for that atmosphere which cannot Nikolai Okhlopkov : " Of Stage Platforms , " Teatr ( Moscow ) , Vol . XX , January 1959 , 44-50 passim . be found in the enclosed court theaters , but on 257 Nikolai Okhlopkov Creative Interplay.
... for that atmosphere which cannot Nikolai Okhlopkov : " Of Stage Platforms , " Teatr ( Moscow ) , Vol . XX , January 1959 , 44-50 passim . be found in the enclosed court theaters , but on 257 Nikolai Okhlopkov Creative Interplay.
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words