Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 352
... Oenone ) : Look , I see him ! My blood forgets to flow , -tongue will not speak What I have come to say ! First Movement Phaedra almost stumbles . Without looking at Oenone , but clinging to her , she murmurs her lines . Oenone supports ...
... Oenone ) : Look , I see him ! My blood forgets to flow , -tongue will not speak What I have come to say ! First Movement Phaedra almost stumbles . Without looking at Oenone , but clinging to her , she murmurs her lines . Oenone supports ...
Page 356
... Oenone and to advance slowly toward him ? Their two faces are riveted to each other ; their two breaths draw closer . It is a greedy maw , -and yet I think He lives and breathes in you , -and still I see him Before me here ; I seem to ...
... Oenone and to advance slowly toward him ? Their two faces are riveted to each other ; their two breaths draw closer . It is a greedy maw , -and yet I think He lives and breathes in you , -and still I see him Before me here ; I seem to ...
Page 363
... OENONE : What would you do , my lady ? Oh , just gods ! But someone comes ; -go quickly . Run from shame . You cannot fly , if they should find you thus . ( Exeunt Phaedra and Oenone ) " Give it now ! " is the cue for Oenone to move ...
... OENONE : What would you do , my lady ? Oh , just gods ! But someone comes ; -go quickly . Run from shame . You cannot fly , if they should find you thus . ( Exeunt Phaedra and Oenone ) " Give it now ! " is the cue for Oenone to move ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words