Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 115
... Othello's ? LITOVTZEVA : To understand Iago's hint . STANISLAVSKY : And what is the next objective ? Othello laughs at Iago's words " Nothing , my lord . " What Creative Work with the Actor ; A Discussion on Directing 115.
... Othello's ? LITOVTZEVA : To understand Iago's hint . STANISLAVSKY : And what is the next objective ? Othello laughs at Iago's words " Nothing , my lord . " What Creative Work with the Actor ; A Discussion on Directing 115.
Page 176
... Othello or Hamlet always used plastic movements . True , this was also plastic art , but I am not talking about that kind of plasticity . Salvini's gestures closely cor- responded to the words and their pronunciation . I mean that plas ...
... Othello or Hamlet always used plastic movements . True , this was also plastic art , but I am not talking about that kind of plasticity . Salvini's gestures closely cor- responded to the words and their pronunciation . I mean that plas ...
Page 261
... Othello , Romain Rolland's Colas Breugnon , and Pogodin's Aristocrats . These large - scale plays demanded large - scale staging ! These were not " intimate " works and they demanded new solutions , a new ap- proach . As a result of our ...
... Othello , Romain Rolland's Colas Breugnon , and Pogodin's Aristocrats . These large - scale plays demanded large - scale staging ! These were not " intimate " works and they demanded new solutions , a new ap- proach . As a result of our ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words