Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 288
... Pepel , because he is unnerved and irritable . PEPEL : So that's over . We part peaceably , without a row - as it should be ! Pepel gets up . Vassilisa quickly grasps his arm and does not let him go . VASSILISA : Just a moment ! All the ...
... Pepel , because he is unnerved and irritable . PEPEL : So that's over . We part peaceably , without a row - as it should be ! Pepel gets up . Vassilisa quickly grasps his arm and does not let him go . VASSILISA : Just a moment ! All the ...
Page 291
... Pepel makes a move as though to pounce on Kostilyoff . Vassilisa's eyes are riveted on Pepel . They seem to goad him on to murder . An awk- ward pause . Kostilyoff tries to collect himself . He is frightened by his own screams and ...
... Pepel makes a move as though to pounce on Kostilyoff . Vassilisa's eyes are riveted on Pepel . They seem to goad him on to murder . An awk- ward pause . Kostilyoff tries to collect himself . He is frightened by his own screams and ...
Page 293
... PEPEL : + Why + didn't you go out into the hall ? LUKA : The hall's too cold for an old fellow like myself , brother . PEPEL : + You + overheard ? Pepel stands by the stove . Luka is climbing down , sometimes stopping and turning around ...
... PEPEL : + Why + didn't you go out into the hall ? LUKA : The hall's too cold for an old fellow like myself , brother . PEPEL : + You + overheard ? Pepel stands by the stove . Luka is climbing down , sometimes stopping and turning around ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words