Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 351
... Phaedra , Act II , Scene V In Reflections on the Theatre , Jean - Louis Barrault writes about Phaedra : " A classic is like a hidden treasure . Its core is buried under so many layers of varnish , so many polishings , that it can be ...
... Phaedra , Act II , Scene V In Reflections on the Theatre , Jean - Louis Barrault writes about Phaedra : " A classic is like a hidden treasure . Its core is buried under so many layers of varnish , so many polishings , that it can be ...
Page 357
... Phaedra , leans over her , his face above her face . Misinterpreting the situation , he is attentive to Phaedra , exciting her passion all the more . PHAEDRA : Ah , for Theseus I languish and I long , Phaedra , still leaning on Oenone ...
... Phaedra , leans over her , his face above her face . Misinterpreting the situation , he is attentive to Phaedra , exciting her passion all the more . PHAEDRA : Ah , for Theseus I languish and I long , Phaedra , still leaning on Oenone ...
Page 359
... Phaedra would have walked the maze with you , - With you come out in safety , or have perished ! She is coming right up to him . Now , realizing only too well what is going on , Hippolytus ... Phaedra were taken at this moment Phaedra 359.
... Phaedra would have walked the maze with you , - With you come out in safety , or have perished ! She is coming right up to him . Now , realizing only too well what is going on , Hippolytus ... Phaedra were taken at this moment Phaedra 359.
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words