Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 34
... Stanislavsky had cre- ated values that the author felt were not in his play . Despite Chek- hov's criticisms the challenge of his plays stimulated Stanislavsky's creative efforts . Trigorin and Nina . Sketch by Stanislavsky from his ...
... Stanislavsky had cre- ated values that the author felt were not in his play . Despite Chek- hov's criticisms the challenge of his plays stimulated Stanislavsky's creative efforts . Trigorin and Nina . Sketch by Stanislavsky from his ...
Page 58
... Stanislavsky himself . He and Stanislavsky were listed jointly as régisseurs on the playbills of the Art Theater . The division of labor they decided upon initially , however , brought greater notice to Stanislavsky , for he provided ...
... Stanislavsky himself . He and Stanislavsky were listed jointly as régisseurs on the playbills of the Art Theater . The division of labor they decided upon initially , however , brought greater notice to Stanislavsky , for he provided ...
Page 450
... Stanislavsky , Konstantin S .: An Actor Prepares . Translated by Elizabeth Reynolds Hapgood . New York : Theatre Arts , 1936 . Stanislavsky , Konstantin S .: Building a Character . Translated by Elizabeth Reynolds Hapgood . New York ...
... Stanislavsky , Konstantin S .: An Actor Prepares . Translated by Elizabeth Reynolds Hapgood . New York : Theatre Arts , 1936 . Stanislavsky , Konstantin S .: Building a Character . Translated by Elizabeth Reynolds Hapgood . New York ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words