Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 147
... acting nor the play , then I must come to the conclusion > that it is the scenery and the dancing . Yet I cannot think you will tell me this is so . Stage - DirectOR : No ; the Art of the Theater is neither acting nor the play , it is ...
... acting nor the play , then I must come to the conclusion > that it is the scenery and the dancing . Yet I cannot think you will tell me this is so . Stage - DirectOR : No ; the Art of the Theater is neither acting nor the play , it is ...
Page 192
... acting by a great artist ; and when the attempt to do this fails , the effect is disastrous , because then there is neither play nor great acting : the play is not credible nor the acting fascinating . To your star actor the play does ...
... acting by a great artist ; and when the attempt to do this fails , the effect is disastrous , because then there is neither play nor great acting : the play is not credible nor the acting fascinating . To your star actor the play does ...
Page 393
... actor so that he is not just acting on breath . In A Taste of Honey , the opening scene shows a mother and daughter arriving in new lodg- ings . They are worn out and quarrelsome . The rooms are drearily squalid . For an hour one ...
... actor so that he is not just acting on breath . In A Taste of Honey , the opening scene shows a mother and daughter arriving in new lodg- ings . They are worn out and quarrelsome . The rooms are drearily squalid . For an hour one ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words