Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 207
... become completely the servants of the play . Each must resist every temptation to score per- sonally . Each must make himself a free , transparent medium through which the whole flows freely and without obstruction . No one at any ...
... become completely the servants of the play . Each must resist every temptation to score per- sonally . Each must make himself a free , transparent medium through which the whole flows freely and without obstruction . No one at any ...
Page 208
... become conscious of some- thing lacking , either in the play itself or in the director . This is a dangerous thought to set up . A company under these conditions be comes wabbly , and the first tendency of a wabbly actor is to overplay ...
... become conscious of some- thing lacking , either in the play itself or in the director . This is a dangerous thought to set up . A company under these conditions be comes wabbly , and the first tendency of a wabbly actor is to overplay ...
Page 386
... becomes afraid- " scarey . " It has become used to the connection . The child isn't a bit lonesome ( as John Henry says ) but comes running to get together- connected - with what he has become used to . The child " studies " to be a man ...
... becomes afraid- " scarey . " It has become used to the connection . The child isn't a bit lonesome ( as John Henry says ) but comes running to get together- connected - with what he has become used to . The child " studies " to be a man ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words