Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 42
... color , which are the very heart of the scenes ; rhythm , which is the very essence of dance . ” Only an " artist of the theater " could master " actions , words , lines , color , and rhythm . " By his mastery this artist " would ...
... color , which are the very heart of the scenes ; rhythm , which is the very essence of dance . ” Only an " artist of the theater " could master " actions , words , lines , color , and rhythm . " By his mastery this artist " would ...
Page 152
... color , rhythm , action of the thing . He then puts the play aside for some time , and in his mind's eye mixes his palette ( to use a paint- er's expression ) with the colors which the impression of the play has called up . Therefore ...
... color , rhythm , action of the thing . He then puts the play aside for some time , and in his mind's eye mixes his palette ( to use a paint- er's expression ) with the colors which the impression of the play has called up . Therefore ...
Page 249
A Source Book of the Modern Theater Toby Cole, Helen Krich Chinoy. color , because so far no form of notation has been found for musical color . The actor has to find nearly all those things for himself . Sup- posing you are an actor who ...
A Source Book of the Modern Theater Toby Cole, Helen Krich Chinoy. color , because so far no form of notation has been found for musical color . The actor has to find nearly all those things for himself . Sup- posing you are an actor who ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words