Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 122
... definition of the elements of the creativeness of the actor . The so - called " method " of Stanislavsky found its ... defined in the word " seed , " more particularly the seed of scenes , the seed of a fragment . A role was composed ...
... definition of the elements of the creativeness of the actor . The so - called " method " of Stanislavsky found its ... defined in the word " seed , " more particularly the seed of scenes , the seed of a fragment . A role was composed ...
Page 229
... define it , I only prove that it is easier to do a job well than to write well about it . To sum it up , the directing of a play is a turn of the hand , a turn of the mind and of ... defined by one of our The Profession of the Director 229.
... define it , I only prove that it is easier to do a job well than to write well about it . To sum it up , the directing of a play is a turn of the hand , a turn of the mind and of ... defined by one of our The Profession of the Director 229.
Page 232
... definition . When I expressed astonishment , he said , “ Yes , I've just spent my whole summer at it . I've tried ... defined for me his ideas on staging a play : “ My work begins and the play interests me at the moment when the text ...
... definition . When I expressed astonishment , he said , “ Yes , I've just spent my whole summer at it . I've tried ... defined for me his ideas on staging a play : “ My work begins and the play interests me at the moment when the text ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words