Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 151
... directions of the playwright , and in what way does the playwright offend the theater when he dictates these stage ... direction of the world's plays worthless ? STAGE - DIRECTOR : Not to the reader , but to the stage - director , and ...
... directions of the playwright , and in what way does the playwright offend the theater when he dictates these stage ... direction of the world's plays worthless ? STAGE - DIRECTOR : Not to the reader , but to the stage - director , and ...
Page 208
... direction , and that is exactly as it should be . When I discover that an actor is becoming conscious of me I know there is something wrong some place , and it is usually with me . The two essentials in this kind of direction are for ...
... direction , and that is exactly as it should be . When I discover that an actor is becoming conscious of me I know there is something wrong some place , and it is usually with me . The two essentials in this kind of direction are for ...
Page 265
... direction ? A. I am against all methods of direction whose aim is , in the frightful expression current a few years ago , the " re - theatricalization " of the theater . I am against everything that is " theater for theater's sake ...
... direction ? A. I am against all methods of direction whose aim is , in the frightful expression current a few years ago , the " re - theatricalization " of the theater . I am against everything that is " theater for theater's sake ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words