Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
From inside the book
Results 1-3 of 37
Page 150
... dramatist may wish us to know of , he will describe his scene during the progress of the conversation between the characters . Take , for instance , the first scene in Hamlet . It begins : Ber . Who's there ? Fran . Nay , answer me ...
... dramatist may wish us to know of , he will describe his scene during the progress of the conversation between the characters . Take , for instance , the first scene in Hamlet . It begins : Ber . Who's there ? Fran . Nay , answer me ...
Page 273
... dramatist's text , as one inserts a set of illustrations into a published book . What we call a play in the theater is something radically different from a play on the page . The dramatist expresses himself mainly through words , the ...
... dramatist's text , as one inserts a set of illustrations into a published book . What we call a play in the theater is something radically different from a play on the page . The dramatist expresses himself mainly through words , the ...
Page 274
... dramatist usually sets forth the general scheme and theme of the play . ( I say " usually " because there have been instances of scenarios and material for plays having been sug- gested by the director or even a leading actor . ) The ...
... dramatist usually sets forth the general scheme and theme of the play . ( I say " usually " because there have been instances of scenarios and material for plays having been sug- gested by the director or even a leading actor . ) The ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
29 other sections not shown
Other editions - View all
Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words