Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 118
... everything and understood everything . I could not invent another mise en scène like it . I want to create a performance without any mises en scène . Today this wall is open and when the actor comes tomorrow he will not know which wall ...
... everything and understood everything . I could not invent another mise en scène like it . I want to create a performance without any mises en scène . Today this wall is open and when the actor comes tomorrow he will not know which wall ...
Page 145
... Everything this man touches must be part of his destiny - everything else must help create the appropriate atmosphere around him . And if we look away from Siegfried for a moment and raise our eyes , the stage picture does not of ...
... Everything this man touches must be part of his destiny - everything else must help create the appropriate atmosphere around him . And if we look away from Siegfried for a moment and raise our eyes , the stage picture does not of ...
Page 203
... everything that can be considered a part of the main structure of the play ( again using the word comprehensively to express the play , not as the dramatist left it , but as it has been so far brought to fuller being . ) And everything ...
... everything that can be considered a part of the main structure of the play ( again using the word comprehensively to express the play , not as the dramatist left it , but as it has been so far brought to fuller being . ) And everything ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words