Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 25
... Expression as a means of studying literature would have long since received wider acceptance . The Rush System , with its median stresses , its tremulos and semi - tonic melody for the expression of the deep tenderness of great poetry ...
... Expression as a means of studying literature would have long since received wider acceptance . The Rush System , with its median stresses , its tremulos and semi - tonic melody for the expression of the deep tenderness of great poetry ...
Page 26
... expressing her anguish. (We'll elaborate on this distinction between expressiveness and expression presently.) She may also be said to offer a putative or ostensible expression of a thought or feeling. 2.1.3. A self-expression is not a ...
... expressing her anguish. (We'll elaborate on this distinction between expressiveness and expression presently.) She may also be said to offer a putative or ostensible expression of a thought or feeling. 2.1.3. A self-expression is not a ...
Page 233
... expression than to changes in identity. In experiment 2, we used morphs between different images of facial expressions to ask whether the neural response in those face regions reflected a ... expression and Morphing between expressions 233.
... expression than to changes in identity. In experiment 2, we used morphs between different images of facial expressions to ask whether the neural response in those face regions reflected a ... expression and Morphing between expressions 233.
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words