Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 165
... imagination , or to dream as he does when listening to music . And yet the spectator possesses such an ability . In ... imagination . There- fore a work of art must constantly arouse the imagination , not just arouse , but activate ...
... imagination , or to dream as he does when listening to music . And yet the spectator possesses such an ability . In ... imagination . There- fore a work of art must constantly arouse the imagination , not just arouse , but activate ...
Page 422
... imagination is completely open . If , as in Our Town , it finds the curtain up , the stage bare , then the initial ... imagination , nor will it have the thrill of yielding to a continually imaginative and convincing stage illusion ...
... imagination is completely open . If , as in Our Town , it finds the curtain up , the stage bare , then the initial ... imagination , nor will it have the thrill of yielding to a continually imaginative and convincing stage illusion ...
Page 430
... imagination . The despair of many designers seems to be that they have neither sufficient money nor sufficient space to put an entire town or three entire towns or twelve rooms on stage either simultaneously or in rapid succession ...
... imagination . The despair of many designers seems to be that they have neither sufficient money nor sufficient space to put an entire town or three entire towns or twelve rooms on stage either simultaneously or in rapid succession ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words