Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 45
... Lights , lights , lights . " Woodcut by Gordon Craig ( 1927 ) . ( From Edward Gordon Craig , by Janet Leeper ... light or darkness " the clumsy literalism of the naturalist's " tasteless parlor . " Expressionism , like naturalism ...
... Lights , lights , lights . " Woodcut by Gordon Craig ( 1927 ) . ( From Edward Gordon Craig , by Janet Leeper ... light or darkness " the clumsy literalism of the naturalist's " tasteless parlor . " Expressionism , like naturalism ...
Page 98
... light is the life of the theater , the good fairy of the décor , the soul of the staging . Light alone , intelligently handled , gives atmos- phere and color to a set , depth and perspective . Light acts physically on the audience : its ...
... light is the life of the theater , the good fairy of the décor , the soul of the staging . Light alone , intelligently handled , gives atmos- phere and color to a set , depth and perspective . Light acts physically on the audience : its ...
Page 141
... light . The results have been › extraordinarily successful - and this far - reaching invention will bring about a rad- ical transformation in staging in all the theaters . . . in favor of lighting . The plasticity required by the actor ...
... light . The results have been › extraordinarily successful - and this far - reaching invention will bring about a rad- ical transformation in staging in all the theaters . . . in favor of lighting . The plasticity required by the actor ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words