Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 186
... means . And Stanislavsky himself was compelled to use theatri- cal means . You know there is not a production of Chekhov's plays without a backstage language of its own - none of them takes place without the sound of the cricket , the ...
... means . And Stanislavsky himself was compelled to use theatri- cal means . You know there is not a production of Chekhov's plays without a backstage language of its own - none of them takes place without the sound of the cricket , the ...
Page 227
... means ad- ministering to the spiritual welfare of the playwright and at the same time taking into account the ... means constantly searching for reasons that will explain liking and admiration . It means living according to poets ' rules ...
... means ad- ministering to the spiritual welfare of the playwright and at the same time taking into account the ... means constantly searching for reasons that will explain liking and admiration . It means living according to poets ' rules ...
Page 228
... means nourishing , sustaining and revitalizing the actors , encouraging and satisfying them and find- ing their proper theatrical diet ; it means bringing forth and raising that family - formed according to a different formula for each ...
... means nourishing , sustaining and revitalizing the actors , encouraging and satisfying them and find- ing their proper theatrical diet ; it means bringing forth and raising that family - formed according to a different formula for each ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words