Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 44
... method of making clear to the spectator what I have felt and seen . " Craig's subjective method is evident , for example , in his conversa- tions with Stanislavsky concerning the character of Ophelia in his interpretation of Hamlet for ...
... method of making clear to the spectator what I have felt and seen . " Craig's subjective method is evident , for example , in his conversa- tions with Stanislavsky concerning the character of Ophelia in his interpretation of Hamlet for ...
Page 75
... method . They nurtured new playwrights such as Clifford Odets who shared their values and utilized their tech- nique . The success of their efforts cannot be measured only by their 1 impressive accomplishments during a decade of ...
... method . They nurtured new playwrights such as Clifford Odets who shared their values and utilized their tech- nique . The success of their efforts cannot be measured only by their 1 impressive accomplishments during a decade of ...
Page 187
... method of preparing it , but he prepared paper and not a grouse . And so he obtained paper feelings . Meyerhold was a high - grade master and he served his dish in a masterful restaurant - like manner , but it was not fit to eat . The ...
... method of preparing it , but he prepared paper and not a grouse . And so he obtained paper feelings . Meyerhold was a high - grade master and he served his dish in a masterful restaurant - like manner , but it was not fit to eat . The ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words